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IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

IKYA

HEY, YOU’RE LISTENING TO THE ELEVENTH EPISODE OF XX CHAPTER III.

WE’RE VERY HAPPY TO HAVE PREIS AND KROHM WITH THEIR COLLABORATIVE PROJECT IKYA AS THE EIGHTEENTH GUESTS IN OUR AUDIOVISUAL COMPOSITION SERIES. THEIR WORK MOVES THROUGH LAYERED SOUNDSCAPES BUILT FROM SYNTHS, FIELD RECORDINGS, AND PROCESSED STRINGS, EXPLORING THEMES SUCH AS THE SUBCONSCIOUS, THE GAP BETWEEN TRAUMA AND RELIEF, THE BRIDGE BETWEEN EROTICISM AND THE UNCANNY. THE DUO’S AESTHETIC DRAWS FROM BOTH PREHISTORIC AND DYSTOPIAN IMAGERY, WITH REFERENCES TO PAGANISM, INDUSTRIAL DECAY, AND SUBLIMINAL SPACES AND AUDIO DIARIES. IKYA’S COMPOSITIONS OFTEN INHABIT THE TENSION BETWEEN ATTRACTION AND DISCOMFORT, CREATING ATMOSPHERES THAT FEEL BOTH INTIMATE AND DISTANT, EVOKING SOMETHING ANCIENT, UNSTABLE, OR JUST OUT OF REACH. IKYA’S DEBUT UNFOLDS AS A SPACE WHERE CONTRADICTIONS COEXIST: LOVE AND LOSS, RAGE AND ACCEPTANCE, ENDINGS AND BEGINNINGS. BUILT FROM ELECTRIC HARP, GUITAR, BASS, SYNTHS, AND FIELD RECORDINGS, THE DUO CREATES EVOLVING SOUNDSCAPES THAT FEEL ALIVE, AS IF THEY CONTINUE SHIFTING BEYOND THE LISTENER’S REACH.

RATHER THAN DICTATING MEANING, THE ALBUM INVITES PROJECTION. EACH TRACK BECOMES A FRAGMENT SHAPED BY ATTENTION: A DISTANT CALL, A FADING MEMORY, A PULSE THAT REMINDS YOU OF YOUR OWN IMPERMANENCE. WHAT EMERGES IS FLUID AND UNSTABLE, GUIDED AS MUCH BY THE LISTENER AS BY THE SOUND ITSELF.
AT ITS CORE, THE RECORD TRACES TWO PEOPLE FINDING EACH OTHER THROUGH UNCERTAINTY, USING MUSIC AS A LANGUAGE FOR WHAT CANNOT BE SPOKEN.

WE HOPE U ENJOY THIS EPISODE AS MUCH AS WE DO.

FULL PIECE ON OUR SOUNDCLOUD.

ENJOY.

IKYA.
@___ikya___

Krohm.
@janukrohm

m preis.
@m___preis

EIGHTEENTH ARTIST - CHAPTER III

VISUAL. + AUDITIVE.

IKYA - @___ikya___

„IKYA is the collaborative project of m preis and Krohm. Their work moves through layered soundscapes built from synths, field recordings, and processed strings, exploring themes such as the subconscious, the gap between trauma and relief, the bridge between eroticism and the uncanny. The duo’s aesthetic draws from both prehistoric and dystopian imagery, with references to paganism, industrial decay, and subliminal spaces and audio diaries. IKYA’s compositions often inhabit the tension between attraction and discomfort, creating atmospheres that feel both intimate and distant, evoking something ancient, unstable, or just out of reach.“

How warm was the sun last winter?

Our track Apricity is a part of VA Holding Space on @eremit.records alongside artists we admire and look up to.

All proceeds of the compilation will go to @schwulenberatung_berlin & @transakcija Ljubljana.

How warm was the sun last winter?

Our track Apricity is a part of VA Holding Space on @eremit.records alongside artists we admire and look up to.

All proceeds of the compilation will go to @schwulenberatung_berlin & @transakcija Ljubljana.

How warm was the sun last winter?

Our track Apricity is a part of VA Holding Space on @eremit.records alongside artists we admire and look up to.

All proceeds of the compilation will go to @schwulenberatung_berlin & @transakcija Ljubljana.

Friday we’ll perform our album Tengam at @kiezkapelle, alongside our friend @bridget__ferrill who will play music from her album Domschatzkammer.

Thank you @_subsidizedtime for making it possible!

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

Fully recharged by the mountains.
Heading back to Ljubljana to play for @eremit.records on Saturday.
Premiering Tengam live and have some cassettes with us.

On Saturday, February 28, 2026, we present our first deep listening event in Ljubljana.

Line Up A-Z:
beepblip @beepblip
IKYA @___ikya___
Nitz @tine_nitz
Oka @eva_mulej

Start: 18:00

For more information, please register via E-Mail: rsvp@eremit-records.com.

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

IKYA–Tengam is out now. Ten pieces written through closeness, fear, care, and release, built from electric harp, electric guitar, voices, and field recordings.
Here are one-minute excerpts from all tracks.

W/P by @m___preis & @janukrohm
Mixed by @janukrohm
Mastered by @jan.goertz
Harp by @m___preis
Guitar by @janukrohm
Vocals by @m___preis & @janukrohm
Violin by @liammansfieldviolin
Artwork by @m___preis & @janukrohm
Title Lettering by @salivasollidha

Please enjoy our new single “Arba”.

Album comes out December 14th

Thank you dearly for support and patience

Cassette pre-sale for @___ikya___’s debut album Tengam is live! Limited run of 50.
Co-released with @_subsidizedtime.

Artwork by @urska.preis & @janukrohm
Title Lettering by @salivasollidha

Link in bio

LEZZBAR: Na 337. dan v letu iz berlinskega podzemlja v Monokel prihaja hipnotični ambientalni duo, takozvani IKYA (@m___preis in @janukrohm) z eksperimentalnim noise-om in elektro-akustično muzikalno perfekcijo. Sledi ji didžejevska selekcija distinktivne Krohm.

🦶18.00🦶
do kmalu x
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ŠKUC LL

ŠKUC
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ŠKUC-LL obvešča:

Monokel je lezbični klub.

Lezbijke izrekamo dobrodošlico vsem kvirom, bi-, panseksualkam_cem, gejem, tetkam, taškam, nebinarnim in transspolnim, vsem LGBTIQ + osebam, da skupaj oblikujemo varen prostor, kjer je prepovedano vsakršno verbalno in/ali fizično nasilje. V klubu ne toleriramo homofobije, seksizma, nacionalizma, rasizma, starostizma in vseh drugih oblik zatiranj!

Vse obiskovalke_ prosimo, da ekipo opozorijo na vsakršen pojav nasilja. To lahko storite osebno ali nam pišete na monokelklub@gmail.con, IG in FB stran kluba Monokel.

‚tengam‘ by @___ikya___ is up for pre-order today
we are sharing the first track ‚edging‘ and couldn’t be more excited for you to finally listen, too
find the link in bio

our fourth release coming up this year is the wondrous sound weaving of @___ikya___ ( @m___preis and @janukrohm )
a co-release with @eremit.records
watch this space for a gem coming up december 14
photo by @maclaineblxck