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Observer
A chronicle of power and those who shape it.
observer.com
The Bezos Family Foundation, founded by #JeffBezos’ parents, Miguel and Jackie, is committing $100 million to @robinhoodnyc, the city’s largest poverty-fighting #nonprofit.
The funds are part of a Robin Hood campaign to raise $1 billion to support initiatives including emergency food, housing, education, job training, benefits access and legal services.
The Bezos family’s donation serves as the campaign’s anchor gift and will establish the Jackie Bezos Endowment for Early Childhood at Robin Hood—named in recognition of Jackie, who died last year at age 78.
Read more at the link in our bio.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
It’s that time of the year when the biggest stars in cinema jet off to the South of France and say bonjour to the glitz and glamour of the 2026 #CannesFilmFestival.
For the next 12 days, the glitterati will take over the French resort town of Cannes, showcasing the best and brightest new international films from all around the world—not to mention some of the most dazzling #redcarpet looks of the entire year.
Head to the link in our bio for all the most fashionable looks, updated throughout the extravaganza by @morganhalberg.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
Spring has finally arrived in New York, and with it the city's annual two-week art world endurance test: marquee #auctions colliding with an almost excessive concentration of #artfairs that only the Big Apple could sustain with a straight face.
As Frieze et al. once again draw the attention of the art world, New York’s #galleries are unveiling some of their strongest shows of the year.
To help navigate the sprawling landscape of show openings, @elisartgal has selected the must-see exhibitions.
Explore the full list at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
There is very little human figuration in the 2026 #VeniceBiennale, which signals a significant shift away from an anthropocentric vision of art and the world toward a more post-human universalism that reconsiders human presence and creation within a broader ecosystem.
At least in its main exhibition, the Biennale moves away from identity-based frameworks—national, racial and gendered—that dominated many past editions, shifting instead toward an exercise in healing and mending historical fractures, not only between humans, but between beings more broadly.
Read more by @elisartgal at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
The relationship between #SamAltman and #IlyaSutskever, an OpenAI co-founder and the company’s former chief scientist, has long been tumultuous.
Once considered close collaborators, the pair split in 2023 when Sutskever orchestrated Altman’s brief ouster as CEO.
He later reversed course and called for Altman’s reinstatement, a move he described as a “Hail Mary” during testimony in the ongoing trial of Elon Musk’s lawsuit against #OpenAI.
Read more at the link in our bio.
President #DonaldTrump will travel to Beijing this week for a two-day summit with Chinese President #XiJinping, accompanied by a delegation of top U.S. CEOs from the technology, finance and manufacturing sectors.
The meetings come at a particularly strained moment in U.S.-China relations, with tensions spanning trade, #AI, semiconductor exports, Taiwan, fentanyl trafficking and the economic fallout from the war in Iran.
The White House has invited 16 business leaders to join the trip, including Tesla and SpaceX CEO #ElonMusk, Apple’s #TimCook and BlackRock’s #LarryFink.
Read more at the link in our bio.
The 2026 edition of the #VeniceBiennale is vast and dense, loosely entangled by a common thread that relates more to methodology than content: an invitation to slow down, contemplate and meditate in silence through the encounter with art
Observer’s @elisartgal was on the ground, where the 110 participating artists, collaborative duos, collectives and artist-centered organizations revisit colonial histories, ecological trauma and spiritual traditions to imagine coexistence grounded in attunement rather than domination.
Head to the link in our bio for our full coverage of @labiennale.
🎥 @chrisbaiden__
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
Rex Taylor Reed, the legendary film critic whose sharp wit, uncompromising taste and distinctive prose made him one of the most recognizable voices in American cultural journalism for six decades, died in his sleep on May 12, 2026, in New York City. He was 87.
@merincurotto was his editor at Observer for almost a decade. The #RexReed she knew bore little resemblance to the curmudgeon of popular imagination.
Or perhaps it’s more accurate to say he was that, but he was so much else besides.
At the link in our bio, she reflects on Rex’s extraordinary life.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
David Kass, a finance professor at the @univofmaryland, is a longtime attendee of #BerkshireHathaway’s annual shareholder meeting in Omaha—an event so popular it has earned the nickname “Woodstock of Capitalism.”
In past years, Kass saw lines forming around the block as early as 6 a.m., along with overflow rooms and packed exhibition halls. This year’s gathering, the first led by Berkshire’s new CEO Greg Abel instead of #WarrenBuffett, who recently transitioned to chairman after his 60-year CEO tenure, felt noticeably different.
“Attendance was way down,” Kass told Observer.
Official figures haven’t been released, but early estimates suggest attendance was roughly 30 percent lower than the usual crowd of about 40,000, raising concerns for local businesses that typically benefit from the event’s economic boost.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
Fears that #AI could displace human workers have become a defining concern for younger generations.
@Nvidia CEO #JensenHuang sees it differently.
The technology, he argues, has “kick-started a revolutionary wave”—one that today’s graduates are well positioned to ride, Huang said during a keynote address at @carnegiemellon’s commencement ceremony yesterday.
Rather than shy away from A.I., he urged graduates to embrace it.
Read more at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
When considering the life of Sunny von Bülow, it’s tempting to begin at the end.
We are inclined to remember her as she was immortalized in the newspapers of the early 1980s—bed-bound in a diabetic coma, which may (or may not) have been induced by her husband, Claus.
She remained unconscious in an Upper East Side nursing home for 28 years, finally passing away in 2008.
But there was a great deal before that.
Read her full story by @jenashleywright at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
In many ways, Evan Chow (@e.v.a.n.c.h.o.w) is representative of a new generation of Asian #artcollectors reimagining what dynastic art collecting looks like in the 21st Century.
A managing partner of MCL Financial Group and a descendant of the Li family that founded the Bank of East Asia, he established and runs the family office, CEG Capital, alongside his wider financial interests.
A founding patron of the @mplusmuseum, Chow is also part of the Board of Governors of the @hongkongartscentre, one of the oldest public art institutions in the city, international council member at @tate, as well as board trustee and Co-Chair of the International Leadership Council at the @newmuseum—an institutional footprint that reflects a collector who has long understood that patronage and acquisition are two sides of the same coin.
Observer connected with Hong Kong-based collector to discuss his penchant for contemporary art, practicing restraint and persistence and how his aesthetic and collecting philosophy have changed over the years.
Read more by @elisartgal at the link in our bio.
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