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Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

Was there anyone who wasn't at the @gucci Cruise show last night in Times Square?

While the Italian fashion house's presentations always have a star studded front row, a number of famous faces graced the runway as well for the over-the-top style spectacle. @cindycrawford, @parishilton, and even NFL legend @tombrady (clad in head-to-toe leather) made high profile cameos in the show while guests for the evening included @mariahcarey, @lindsaylohan, @the_real_iman, @patcleveland and more.

📸 : WWD/AFP/WireImage

A display of @commedesgarcons at this year's @independent_hq has us considering what really makes a masterpiece.

Swipe to see more. And while you're here in our stylish lair, you can get weekly emails from CNN senior style reporter and advanced outfit anthropologist @theprophetpizza, excavating stylish amusements and contextualizing the world of fashion. Sign up at the link in our bio or comment "Big Style" and we'll hook you up.

📸 : Comme des Garçons | CNN

A display of @commedesgarcons at this year's @independent_hq has us considering what really makes a masterpiece.

Swipe to see more. And while you're here in our stylish lair, you can get weekly emails from CNN senior style reporter and advanced outfit anthropologist @theprophetpizza, excavating stylish amusements and contextualizing the world of fashion. Sign up at the link in our bio or comment "Big Style" and we'll hook you up.

📸 : Comme des Garçons | CNN

A display of @commedesgarcons at this year's @independent_hq has us considering what really makes a masterpiece.

Swipe to see more. And while you're here in our stylish lair, you can get weekly emails from CNN senior style reporter and advanced outfit anthropologist @theprophetpizza, excavating stylish amusements and contextualizing the world of fashion. Sign up at the link in our bio or comment "Big Style" and we'll hook you up.

📸 : Comme des Garçons | CNN

A display of @commedesgarcons at this year's @independent_hq has us considering what really makes a masterpiece.

Swipe to see more. And while you're here in our stylish lair, you can get weekly emails from CNN senior style reporter and advanced outfit anthropologist @theprophetpizza, excavating stylish amusements and contextualizing the world of fashion. Sign up at the link in our bio or comment "Big Style" and we'll hook you up.

📸 : Comme des Garçons | CNN

A display of @commedesgarcons at this year's @independent_hq has us considering what really makes a masterpiece.

Swipe to see more. And while you're here in our stylish lair, you can get weekly emails from CNN senior style reporter and advanced outfit anthropologist @theprophetpizza, excavating stylish amusements and contextualizing the world of fashion. Sign up at the link in our bio or comment "Big Style" and we'll hook you up.

📸 : Comme des Garçons | CNN

At the @festivaldecannes, a historic annual celebration of cinema, American supermodel @altonmason has been demonstrating a different type of artistic mastery: The art of the open shirt.

It's a delicate craft with many varied and intricate elements. For example, how many buttons should be left undone? How much chest should be exposed? Do you dangle a pendant necklace in between the clavicles or leave the sternum bare?

Outside the 5-star establishment @martinezhotel on Wednesday, Mason seemed to answer a few of those key questions.

📸: Jacopo Raule/GC Images/Getty Images | Gisela Schober/German Select/Getty Images | Sameer Al-Doumy/AFP/Getty Images

At the @festivaldecannes, a historic annual celebration of cinema, American supermodel @altonmason has been demonstrating a different type of artistic mastery: The art of the open shirt.

It's a delicate craft with many varied and intricate elements. For example, how many buttons should be left undone? How much chest should be exposed? Do you dangle a pendant necklace in between the clavicles or leave the sternum bare?

Outside the 5-star establishment @martinezhotel on Wednesday, Mason seemed to answer a few of those key questions.

📸: Jacopo Raule/GC Images/Getty Images | Gisela Schober/German Select/Getty Images | Sameer Al-Doumy/AFP/Getty Images

At the @festivaldecannes, a historic annual celebration of cinema, American supermodel @altonmason has been demonstrating a different type of artistic mastery: The art of the open shirt.

It's a delicate craft with many varied and intricate elements. For example, how many buttons should be left undone? How much chest should be exposed? Do you dangle a pendant necklace in between the clavicles or leave the sternum bare?

Outside the 5-star establishment @martinezhotel on Wednesday, Mason seemed to answer a few of those key questions.

📸: Jacopo Raule/GC Images/Getty Images | Gisela Schober/German Select/Getty Images | Sameer Al-Doumy/AFP/Getty Images

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

Questions around what to expect at the 2026 Cannes Film Festival have so far largely focused on two things: The Hollywood-shaped hole in the official selection and “The White Lotus,” which is currently shooting its fourth season on location at the festival.

This year, the storied celebration of film held on the French Riviera will look a little less “Mission: Impossible,” which premiered on the Croisette in 2025, and a little more international as European and Asian directors such as Pedro Almodóvar, Nicholas Winding Refn and Ryusuke Hamaguchi take center stage.

But Tuesday’s opening night of the festival proved that the red carpet will not have that same Hollywood-shaped hole. The fashion is already as glittering as ever, with jury member @demimoore, along with fellow actors @janefonda and @maikamonroe all arriving for opening night dripping in sequins.

Tap the link in bio for more as Cannes Film Festival continues.

📸: Ming Yeung/Getty Images/Doug Peters/PA Wire/Mike Marsland/WireImage/Andreas Rentz/Aurore Marechal/Stephane Cardinale/Corbis/Gisela Schober/German Select/Valery Hache/AFP/Kate Green/Amy Sussman/Manon Cruz/Reuters

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

The Gold Gala (@goldhouseco) held on Saturday in Los Angeles is a celebration of Asian Pacific talent — and the red carpet is often a visual extension of that.

Many stars wore looks leaning into their cultural heritage and by Asian designers. Actor @priyankachopra wore custom Amit Aggarwal (@amitaggarwalofficial) — which showcased the delicate Chikankari embroidery technique crafted from a vintage sari. “KPop Demon Hunters” star EJAE (@ejae_k) wore a stunning gown by Korean brand Leje (@leje.official) that included 1,000 pieces of mother-of-pearl and was inspired by peonies and the brushstrokes of an ink painting.

This year’s event celebrated the non-profit’s annual list of 100 most impactful Asian Pacific leaders across various industries. Chopra, actor @jetli, actor Charles Melton (@melton) as well as Olympic freestyle skier @eileengu were among those that picked up special honors.

📸: Taylor Hill/FilmMagic/Getty Images, Richard Shotwell/Invision/AP, Amy Sussman/Getty Images, Presley Ann/Getty Images

"Seaworld Venice" has already captured the attention of many hundreds of people who lined up for a preview of the Austrian pavilion at this year's Venice Biennale.

The popular show by performance artist Florentina Holzinger and curator Nora-Swantje Almes asks viewers to rethink patriarchal systems "that currently control our lives," according to Almes.

More than half a million people are expected to visit the monumental international art fair, which opens to the public Saturday, over the next six months to see the work of over 100 artists and 99 nations, spread across 31 permanent national pavilions and a series of other exhibition spaces.

See more from the Venice Biennale at the link in our bio.

📸 : Seaworld Venice, 2026 ©Nicole Marianna Wytyczak

"Seaworld Venice" has already captured the attention of many hundreds of people who lined up for a preview of the Austrian pavilion at this year's Venice Biennale.

The popular show by performance artist Florentina Holzinger and curator Nora-Swantje Almes asks viewers to rethink patriarchal systems "that currently control our lives," according to Almes.

More than half a million people are expected to visit the monumental international art fair, which opens to the public Saturday, over the next six months to see the work of over 100 artists and 99 nations, spread across 31 permanent national pavilions and a series of other exhibition spaces.

See more from the Venice Biennale at the link in our bio.

📸 : Seaworld Venice, 2026 ©Nicole Marianna Wytyczak

"Seaworld Venice" has already captured the attention of many hundreds of people who lined up for a preview of the Austrian pavilion at this year's Venice Biennale.

The popular show by performance artist Florentina Holzinger and curator Nora-Swantje Almes asks viewers to rethink patriarchal systems "that currently control our lives," according to Almes.

More than half a million people are expected to visit the monumental international art fair, which opens to the public Saturday, over the next six months to see the work of over 100 artists and 99 nations, spread across 31 permanent national pavilions and a series of other exhibition spaces.

See more from the Venice Biennale at the link in our bio.

📸 : Seaworld Venice, 2026 ©Nicole Marianna Wytyczak

"Seaworld Venice" has already captured the attention of many hundreds of people who lined up for a preview of the Austrian pavilion at this year's Venice Biennale.

The popular show by performance artist Florentina Holzinger and curator Nora-Swantje Almes asks viewers to rethink patriarchal systems "that currently control our lives," according to Almes.

More than half a million people are expected to visit the monumental international art fair, which opens to the public Saturday, over the next six months to see the work of over 100 artists and 99 nations, spread across 31 permanent national pavilions and a series of other exhibition spaces.

See more from the Venice Biennale at the link in our bio.

📸 : Seaworld Venice, 2026 ©Nicole Marianna Wytyczak

"Seaworld Venice" has already captured the attention of many hundreds of people who lined up for a preview of the Austrian pavilion at this year's Venice Biennale.

The popular show by performance artist Florentina Holzinger and curator Nora-Swantje Almes asks viewers to rethink patriarchal systems "that currently control our lives," according to Almes.

More than half a million people are expected to visit the monumental international art fair, which opens to the public Saturday, over the next six months to see the work of over 100 artists and 99 nations, spread across 31 permanent national pavilions and a series of other exhibition spaces.

See more from the Venice Biennale at the link in our bio.

📸 : Seaworld Venice, 2026 ©Nicole Marianna Wytyczak

From dangling deer sculptures and toilet-themed installations to protests outside the Russian pavilion, this year's Venice Biennale was remarkable in many ways. The 61st edition's preview was defined by packed crowds, Qatar unveiling the first new Giardini pavilion in decades, and controversy over whether Russia and Israel should be excluded amid the wars in Ukraine and the Middle East. CNN's Fiona Sinclair Scott reports.

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Generally speaking, you can't sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago (@mcachicago) — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar @badbunnypr, are waiting for you to rest between songs.

@edrasoto's "BB Chairs" — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer's deep connection to his home.

"I had this idea a whole year before I made them," she said. "I was doubting myself. I was thinking maybe this is too on the nose."

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, @grammys Award-winning album "DeBÍ TiRAR MáS FOToS." The album cover featured two empty white lawn chairs — an evocative symbol of home and belonging in Puerto Rico — and they had significance to Soto's practice, too.

"The furniture that I grew up with was wicker and plastic," she explained. "I asked myself what my chair would look like if I was making a chair." She said she couldn't relate to high-end materials, and began thinking about the fantasy of luxury in both the practice of upholstery and the colorful, if culturally inaccurate, images associated with the tropics.

📸 : Courtesy the artist/E G Schempf/Courtesy Kemper Museum of Contemporary Art

Deborah Davis, author of “Strapless, John Singer Sargent and the Fall of Madame X” reveals the scandal behind the 19th century painting that inspired @laurensanchezbezos Schiaparelli gown on the red carpet.

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

The return of @bts.bighitofficial in March, nearly four years after they went on hiatus for mandatory military service, has highlighted a key question for the K-pop industry: What comes next?

This current generation has arguably grander ambitions – some of which beg the question: Does K-pop need to be Korean at all?

For instance, @blackpinkofficial's recently released mini-album "Deadline" is almost entirely in English. And new groups are debuting in other parts of the world, some with members that have no ties to South Korea.

"There's more global collaboration, and work within the K-pop world to become globalized, within every generation," said Danny Chung, the songwriter behind several major Blackpink hits.

Some of this is happening in other musical genres, too, with social media increasingly shaping how we consume and produce music. But it's especially true of K-pop, which is "ever-changing," said Chung, who also works in the Artists and Repertoire (A&R) team for record company The Black Label.

Experts say this fluidity could fuel the industry's aim to expand beyond borders and neat categorization.

"It's a forever moving target to try to define the genre of K-pop," Chung said.

📸 : Kim Hong-Ji/Pool/Getty Images/Christopher Polk/Billboard/Andrew Caballero-Reynolds/AFP

@ysl creative director @anthonyvaccarello speaks to CNN's Jason Carroll about dressing stars like @madonna, @haileybieber and @connorstorrieofficial for the 2026 Met Gala.

Although the Met Gala is known for its over-the-top looks, this year was unexpectedly conservative considering the "fashion is art" dress code.

While you're here: Want a portal into a world where clothing meets culture? Introducing Big Style, a weekly newsletter from CNN senior style reporter and advanced outfit anthropologist Rachel Tashjian, excavating stylish amusements and contextualizing the world of fashion. Comment BIG STYLE and we'll send you a link to sign up.