Instagram Story speichern

I’ve been working on a special edition publication in collaboration with @docu.magazine where different threads of my personal work are entwined. Blurring the boundaries between areas of my life, I’m making connections via my eye/lens and the general disorder found on both sides. Nothing deep, mostly playful images, context reconfigured.

Production for the 20 page mag is next week, and I’ll have signed copies for sale soon. (In putting the edit together, I had at least double the amount , so this project might well grow/change at some point).

Here’s a sample pairing:

The Fly (2021) / Contaminated (2020)

I’ve been working on a special edition publication in collaboration with @docu.magazine where different threads of my personal work are entwined. Blurring the boundaries between areas of my life, I’m making connections via my eye/lens and the general disorder found on both sides. Nothing deep, mostly playful images, context reconfigured.

Production for the 20 page mag is next week, and I’ll have signed copies for sale soon. (In putting the edit together, I had at least double the amount , so this project might well grow/change at some point).

Here’s a sample pairing:

The Fly (2021) / Contaminated (2020)

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
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#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

One year today (6/10/23) was the shoot for @nadineshah’s Topless Mother video, the lead single from the album (of the year) Filthy Underneath. The lead photo, snatched between takes, became one of the defining images from the campaign, and a portrait I’m particularly proud of. Here it is, presented with some previously unseen BTS shots.
.
Thanks to the wonderful team who worked on the video::
Director \ Lynne Page @lynnepagedance
Director of Photography \ Ian Murray @ianmurraydop
Video Producer \ Max Eatherden @maxeatherden
Audio Producer \ Ben Hillier @babenhillier
Editor \ James Davidson @jd.moviefilms
Colourist \ Simon Cheung @simonecheungdp

Artist \ Nadine Shah @nadineshah
Label \ EMI North @eminorthrecords
Artist Manager \ Ros Earls @earlsros
Hair Stylist \ Raphael Salley @raphaelsalley
Make Up Artist \ Grace Ellington @graceellington
Choreographer \ lynne page @lynnepagedance

Thanks to the wonderful Pam Hogg for the incredible red dress @pamhoggfashion

Focus \ Joseph Edwards (edwards_films)
Loader \ Ollie Cipres (@olliecipres)
Gaffer \ Josh Mclaren (@joshmarleymclaren)
Spark \ Marta Vitola (@marta__vitola)
Van Driver \ Dusty
Art Department \ Aashish Shrestha @aashish5tha)

.
.
.
#musicphotography #musicphotographer #musicvideobts #toplessmother #filthyunderneath #nadineshah #grsnaps

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Sneak peek from the promo shoot for Chimehours’ debut LP ‘Underneath The Earth’, dropping October 24 on @coldspringrecords. We had to postpone the shoot several times, waiting for that perfect misty morning in the woods, until we couldn’t delay it any further and bit the bullet. @chimehours.band are Beck Goldsmith and Jon Dix, drawing inspiration from folk horror, ghost stories, and the supernatural, exploring themes of nature, folklore, time, community, and the uncanny on this amazing debut. Preorder from link in Chimehours’ bio...
#musicphotographer #musicphotography #folkhorror #darkfolk

Down, on, sideways, up, through

Down, on, sideways, up, through

Down, on, sideways, up, through

Down, on, sideways, up, through

Down, on, sideways, up, through

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

Pictures from home, parties and other places.

For projects that need energy, not just coverage.

Off-guard, on purpose.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

A few more ‘one frame away’ sets. As ever, sometimes I prefer the before, or the after, or the chosen ones are still one frame away from a final pose. I basically work ‘through’ moments, rather than building up to a definitive one.

Needed a dump

Needed a dump

Needed a dump

Needed a dump

Needed a dump

Needed a dump

Needed a dump

Needed a dump

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Usually one frame away. Sometimes one back. Looking through the photos either side of my final edit

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Different jobs.
Same few seconds.

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Pre-show, on-stage, post-show, merch stand POV, backstage…these are always busy nights, and I reckon damn close to the most fun you can have as a photographer.Love it
@nadineshah

Shooting events at 28mm means you have to get right in amongst the action- none of that ‘standing at the back trying to look cool’ business.