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3 New Editions by Nathalie du Pasquier
Edition of 50, stamped and numbered.

In the Cupboard
70x100mm

Launching 20th May
3 New Editions by Nathalie du Pasquier

Painted during the winter months of 2012, these works by Nathalie du Pasquier belong to a body of paintings focused on colour dynamics, intensity and the relationship between line, form and space.
Edition of 50, stamped and numbered.

Launching 20th May
3 New Editions by Nathalie du Pasquier

Painted during the winter months of 2012, these works by Nathalie du Pasquier belong to a body of paintings focused on colour dynamics, intensity and the relationship between line, form and space.
Edition of 50, stamped and numbered.

Launching 20th May
3 New Editions by Nathalie du Pasquier

Painted during the winter months of 2012, these works by Nathalie du Pasquier belong to a body of paintings focused on colour dynamics, intensity and the relationship between line, form and space.
Edition of 50, stamped and numbered.

Launching 20th May
3 New Editions by Nathalie du Pasquier

Based on original acrylic paintings from 2012, these editions are produced as exact photographic reproductions, preserving the brushwork, texture and material qualities of the original works.
Edition of 50, stamped and numbered.

HISTORICAL DÉJÀ VU
by Nishant Choksi
First published in Real Review 2

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

ABSOLUTE PROXIMITY
by Nishant Choksi
First published in Real Review 12

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

ABSOLUTE PROXIMITY
by Nishant Choksi
First published in Real Review 12

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

ABSOLUTE PROXIMITY
by Nishant Choksi
First published in Real Review 12

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

WHAT IT MEANS TO LOVE TODAY
by Nishant Choksi
First published in Real Review 4

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

WHAT IT MEANS TO LOVE TODAY
by Nishant Choksi
First published in Real Review 4

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

WHAT IT MEANS TO LOVE TODAY
by Nishant Choksi
First published in Real Review 4

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

HISTORICAL DÉJÀ VU
by Nishant Choksi
First published in Real Review 2

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

HISTORICAL DÉJÀ VU
by Nishant Choksi
First published in Real Review 2

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

HISTORICAL DÉJÀ VU
by Nishant Choksi
First published in Real Review 2

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

MANY AS ONE
by Nishant Choksi
First published in Real Review 1

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

MANY AS ONE
by Nishant Choksi
First published in Real Review 1

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

MANY AS ONE
by Nishant Choksi
First published in Real Review 1

Originally created for the covers of Real Review issues 1, 2, 4 and 12, these posters present Nishant Choksi’s distinctive illustrations outside the magazine format for the first time.

Poster size: 675 x 865mm
Framed poster size: 695 x 885 x 22mm
Printing: EMA, Enhanced Matte Art Paper, 200gsm

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Behind every print, there’s a story. Pierre Charpin. A hillside studio in Kyoto. A 100 yen shop. And a band of monkeys that showed up uninvited, and never really left.

Swipe to meet the artist behind the monkeys 🐒.

This weekend only, 25% off rare limited edition prints.

Link in bio.

#PierreCharpin #TheWrongShop #ArtistStudio #LimitedEdition #Kyoto

Only 24 remain. Each one has a personality, a feeling, and a wall it’s waiting for.

The Monkeys Series by Pierre Charpin - drawn in Indian ink on the edge of a Kyoto forest,
printed in editions of 75. Two have already been adopted. The clock is ticking on the rest.

This weekend only. 25% off rare limited edition prints.

Adopt yours. Link in bio. 🐒

#PierreCharpin #adoptanimals #ArtistStudio #LimitedEdition #Kyoto

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop

Five works by Simon Phipps.
Now available on The Wrong Shop.

Simon Phipps’ new series focuses on a recurring element within modernist architecture: the stair.

Often overlooked as purely functional, these structures reveal a powerful sculptural presence when isolated through the lens. Light, shadow and concrete rhythm combine to create spaces that feel both monumental and intimate.

For Phipps, stairs hold an aspirational quality. They draw the viewer upward, creating moments where perspective shifts and the view begins to change. As he describes it, they represent “a raising of the spirits”, a quiet movement towards light and openness within the architecture.

Drawn from his extensive archive documenting post war modernism across Britain, the series captures these transitional spaces with a calm, deliberate gaze.

#SimonPhipps
#BrutalistArchitecture
#ModernistArchitecture
#ArchitecturalPhotography
#TheWrongShop