Instagram Story speichern

🇺🇸🇬🇧🎧🎨🌍🎉🎈👏 #TalkArtPodcast is Number 1 in both USA & UK this week @ApplePodcasts charts!!! THANK YOU everyone for listening in 170+ countries around the world. To our new & regular listeners - WE LOVE YOU!!!! Thanks for joining us on this exciting journey through art. We have MUCH, much more to come!!!

🌟🌟🌟🌟🌟 Listen to @TalkArt Seasons 1-19, over 270 free one-hour special episodes with artists and creative minds: @applepodcasts, @spotify, @acast, @amazonmusicuk, @tidal, @google or your favourite #podcast platform. Link in our Bio! #RobertDiament #RussellTovey

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🎨🎉📽️🎞️ New @Talkart podcast! Robert meets Belfast-born Kathryn Ferguson @KathrynFerguson an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and amplify, untold stories.

Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity.

In 2018, Kathryn’s short documentary Taking the Waters about Margate’s open water swimming premiered at Sheffield Doc Fest, and was BAFTA long-listed. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian’s acclaimed documentary series.

After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O’Connor’s artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023.

Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024.

In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O’Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry.

Nostalgie, Kathryn’s first drama short starring Aiden Gillen, about a faded 80’s pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4.

🔗 Follow @KathrynFerguson & @TaraFilms

🎶🎥 Nothing Compares is available to watch on Showtime and Sky

🖼️🎨 Es Devlin’s A National Portrait For The @NationalPortraitGallery. Everyone can join in, here’s how Es drew me.

If you are in the UK you are invited to become a co-author of A National Portrait by @EsDevlin, an evolving collective artwork on display at the National Portrait Gallery in London until October 27, 2026.

🎧 Friend of Talk Art, Es Devlin has been on the podcast twice! Visit our archive for Es’ episodes from Season 18 and Season 22. Comment PODCAST to be sent a direct link to listen to the show.

Comment the word PODCAST to get a link to listen to Talk Art. This week’s Talk Art guest is Mariane Ibrahim, a Gallerist with impeccable taste and vision who has three spaces in Paris, Chicago and Mexico City. Portrait of Mariane in 2023 by Karla Acosta.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

💘🎈 I celebrated @LondonCraftWeek on Friday evening at JW Anderson with @RupertFriend. I loved viewing all of the art in Jonathan’s newly opened Pimlico store including the mesmerising Gwen John, Austin Osman Spare, Mary Stephenson, Ben Nicholson, Ivon Hitchins, David Bomberg, Bridget Riley, Peter Lanyon and some particularly stunning Alfred Wallis boat paintings.

Comment the word PODCAST to get a link to listen to Talk Art.

Amoako Boafo, represented by this week’s Talk Art guest Mariane Ibrahim. Mariane is a Gallerist with impeccable taste and vision.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🕯️🌅 We dined in the old Dreamland cinema’s Sunshine Rooms last night and watched the sun set across the ocean! This space has permanently closed to the public for a decade or more, but you may recognise it from the Empire of Light movie with Olivia Colman! I hope one day this building will come back to life. It’s so beautiful and so sad it’s closed. What a special evening. Thank you @PomusMargate for the incredible meal and to @TraceyEminStudio for inviting me and our Margate crew.

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🌟 Selected highlights from @LondonOriginalPrintFair,open all weekend at Somerset House where you can explore and discover great art! I started collecting and living with art aged 20 by buying affordable hand-signed prints, and I love this fair because it respects the legacy and integrity of fine art printmaking whilst also sharing many great new artists at work today.

Artists as follows:
1. Michel Wolgemut ‘Dance of Death’ woodcut 1493
2. Georg Baselitz
3 Lisa Brice
4. Louise Giovanelli
5. Joy Gregory
6. Claudette Johnson
7-8. Leonora Carrington
9-10. Tracey Emin (my friends Roland Mouret, Russell Tovey and Ruth Wilson came too see the new prints)
11. Liorah Tchiprout
12-13. Ken Kiff
14. Paula Rego
15. Etel Adnan
16-17. Tracey Emin (with artist Sue Webster who stopped by our @CounterEditions booth)
18. Rembrandt Harmenszoon van Rijn
19. Tracey Emin archive lithographs and etchings
20. Marcelle Hanselaar

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

❤️‍🔥🎨📸 A break this afternoon looking at @PhotoLondonFair where I loved meeting some talented emerging artists including Shen Wei, @LauraMcCluskey and Bede Kincso.

Standout booth by @MisanHarriman too of his powerful protest photography, The Purpose of Light.

I also loved the vintage Cibachrome photographs by Joseph Rodriguez depicting the rawness of 1980s New York City. They really captured the beauty, chaos and spirit of that time, and the colours achieved from that type of photographic print are incredibly vibrant.

Not forgetting my big discovery of the week Marisol Mendez, a photographer from Bolivia. I LOVE HER PHOTOGRAPHS so much. Plus, Iraqi artist @Sama_Alshaibi’s photogravures with embossed paper were very special.

Then, Steven Meisel’s giant prints of Isabella Blow, and other early 1990s Londoners, were memorable and alluring. And Devin Oktar Yalkın’s otherworldly portraits of Tilda Swinton too.

J. K. Lavin’s vintage photo booth portraits from the 70s were noteworthy also.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🎉 New @TalkArt podcast episode! Robert meets Mariane Ibrahim, leading gallerist and curator, whose mission is dedicated to the elevation and advocacy of diverse global artistic practices, with a particular spotlight on Africa and the diaspora. We explore @MarianeIbrahimGallery’s spaces in three cities: Mexico City, Paris and Chicago, and the artists she has championed over the past 15 years.

Representing artists from across the world, Ibrrahim is driven towards expanding the confines of the creative landscape. Ibrahim’s program compels her to act as something of an ambassador for nuance and complexity in an art world still prone to generalisation. While several of the emerging artists she represents hail from African countries or are members of the African diaspora, Ibrahim emphasises that they – and by extension, her gallery – have much more to offer than simplistic regional or heritage based labels could ever contain.

Mariane Ibrahim Gallery is a highly influential contemporary art gallery that focuses on supporting and championing artists from the African diaspora and diverse global backgrounds. Founded in 2012 by Somali-French art dealer Mariane Ibrahim, the gallery has experienced a phenomenal international expansion, establishing a presence across three different continents.

🔗 Follow @MarianeIbrahimGallery

📻 Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts! Hosted by @RobertDiament.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.

🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.

“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “

🎟️ DM us for free tickets, Thursday - Sunday.