Instagram Logo

stevezahn

Steve Zahn

Hey I’m Steve Zahn the actor

74
posts
157
followers
187.2K
following

Horses don’t care that it’s Christmas! Come along as we visit @stevezahn’s farm and learn more about life on the farm as an artist with Chef @ouitamichel


6.1K
67
1 weeks ago


✨Steve Zahn’s Closet Picks! ✨ The actor talks about how Richard Linklater’s SLACKER turned him on to independent cinema, praises the soundtracks for PARIS, TEXAS, and selects a horror classic by George A. Romero.✨ You can see him now in SHE DANCES — directed by Rick Gomez and cowritten with Zahn — available to watch on demand.

Now streaming on the Criterion Channel:
SLACKER
MYSTERY TRAIN
PARIS, TEXAS
NIGHT OF THE LIVING DEAD


19.5K
357
3 weeks ago

Extended Preview for SHE DANCES. On the road to her final dance competition, a struggling single father reconnects with his distant teenage daughter while navigating the colorful, chaotic world of competitive dance. Watch at home now. #SheDancesTheMovie
Link in bio


420
14
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago


@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago


@shedancesthemovie is now available to watch at home. We didn’t have any fun making this movie @audrey_zahn @kenzie @its_rickgomez @therealsonequa Link in bio.


3.4K
43
3 weeks ago

Are you excited? You should take a seat for SHE DANCES. Heartfelt and healing, #SheDancesTheMovie stars Steve Zahn, Audrey Zahn, and Ethan Hawke. Watch at home today. Link in bio.


1.5K
39
3 weeks ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago


“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

“Fuck Them If They Don’t Get It”: Steve Zahn on Cinema, Craft, and Not Slowing Down for Anyone.

The Gen X Legend on Writing a Film for His Daughter, Working With Ethan Hawke for 30 Years, and the Romanian Director Who Changed the Way He Acts.

Illustration by @richardkilroy
Interview by @bypaulwilson
Design by @tristan.bartolini

Link in bio for the full Cinétherapy.


3
3
1 months ago

Behind the scenes with @shedancesthemovie stars @stevezahn and @audrey_zahn! 🤩


2.2K
35
1 months ago

@stevezahn tells the story of the first time he met “Riding in Cars with Boys” Director Penny Marshall 😂


34.7K
388
1 months ago

Tune into the @thedrewbarrymoreshow today, Tuesday, March 31st to get the inside scoop from Father-Daughter duo Steve and Audrey Zahn on their new movie SHE DANCES!


1.3K
17
1 months ago

Tune into the @thedrewbarrymoreshow today, Tuesday, March 31st to get the inside scoop from Father-Daughter duo Steve and Audrey Zahn on their new movie SHE DANCES!


1.3K
17
1 months ago

Tune into the @thedrewbarrymoreshow today, Tuesday, March 31st to get the inside scoop from Father-Daughter duo Steve and Audrey Zahn on their new movie SHE DANCES!


1.3K
17
1 months ago

Tune into the @thedrewbarrymoreshow today, Tuesday, March 31st to get the inside scoop from Father-Daughter duo Steve and Audrey Zahn on their new movie SHE DANCES!


1.3K
17
1 months ago

Chicago! Come see us at the 4pm and 6pm screenings of SHE DANCES on Sunday, March 29th. AMC River East 21, see you there


905
36
1 months ago

Start spreading the news, we’re leaving... tomorrow. Come say hi at the AMC EMPIRE 25. We’ll be at the 6pm and 8pm screenings of @shedancesthemovie
Saturday, March 28th


842
34
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago

Following its premiere at the Tribeca Film Festival, "She Dances" (@shedancesthemovie) is NOW PLAYING in theaters nationwide! Directed by Rick Gomez (@its_rickgomez), this debut feature is a quietly devastating story about a father, his dancer daughter, and the grief binding them together.

We caught up with DP David Morrison (@davidmorrison.dop) to discuss his cinematography for the film, partnering with Keslow Camera, and what it was like working alongside an incredible cast including Steve Zahn (@stevezahn), Audrey Zahn (@audrey_zahn), Ethan Hawke (@ethanhawke), and Mackenzie Ziegler (@kenzie).

🎬

"I've always been an ARRI Alexa person, but then I used the Venice and understood: 2500 ISO, I could light a whole room and let actors and operators move without relighting... The Venice 2 is even better; the grain structure at 3200 is amazing.

For glass, I really wanted the Leica Summilux-C lenses. On day exteriors, I go to a T4 or T5.6 — I want everything sharp. But if I want fall-off, I still want it to be clean, not mushy... For split screens, where you're only using a third or half the frame, I don't want any aberrations throwing it off. I want it as clean as possible.

We were going to go through an independent camera house in Cincinnati because it was close to Lexington. While I was waiting at Keslow to check out my personal camera to take elsewhere, I really sat with that decision. I called the producer and said, 'I can't do this... I want to stay with Keslow.' They worked it out. Keslow was incredible — had the lenses I wanted, replaced one that had an issue overnight, shipped it right away. I got a real sense that they support the art and the growth of the DP. There are money jobs, jobs that earn union benefits, and jobs that are creative — sometimes those are the same, and those are the best jobs. Keslow is there for all of them." - David Morrison (@davidmorrison.dop)

Visit the link in our bio to read the full interview!

DP | David Morrison (@davidmorrison.dop)
Serviced By | #KeslowCameraLA

@macaroni.art.productions
@sonycine
@leitzcine


3
20
1 months ago


Story Save - Bestes kostenloses Tool zum Speichern von Stories, Reels, Fotos, Videos, Highlights, IGTV auf Ihrem Gerät.

Story-save.com ist ein benutzerfreundliches Online-Tool, mit dem Nutzer verschiedene Inhalte wie Stories, Fotos, Videos und IGTV-Materialien direkt von Instagram herunterladen und speichern können. Mit Story-Save können Sie Inhalte von Instagram ganz einfach herunterladen und jederzeit, auch ohne Internetverbindung, ansehen. Dieses Tool ist perfekt, um interessante Instagram-Momente zu speichern. Nutzen Sie Story-Save, um Ihre Lieblingsmomente immer griffbereit zu haben!

Unsere Vorteile:

Keine Registrierung erforderlich

Sparen Sie sich App-Downloads und Anmeldungen, speichern Sie Stories direkt online.

Exklusive hochauflösende Inhalte

Vergessen Sie minderwertige Inhalte, speichern Sie Stories in bester Qualität.

Kompatibel mit allen Geräten

Laden Sie Instagram Stories mit jedem Browser, iPhone oder Android herunter.

Komplett kostenlos

Keine Gebühren. Laden Sie beliebige Stories kostenlos herunter.

Häufig gestellte Fragen

Die Funktion dient dazu, Instagram-Stories sicher und in hoher Qualität herunterzuladen. Sie ist benutzerfreundlich und erfordert keine Registrierung. Kopieren Sie einfach den Link, fügen Sie ihn ein und genießen Sie die Inhalte.
Das Herunterladen ist einfach:
  • 1. Besuchen Sie das Tool Instagram Story Downloader.
  • 2. Geben Sie den Benutzernamen des Instagram-Profils ein und klicken Sie auf „Herunterladen“.
  • 3. Wählen Sie die gewünschten Stories aus und laden Sie sie herunter.
Die ausgewählten Stories werden auf Ihrem Gerät gespeichert.
Leider ist es aufgrund von Datenschutzbeschränkungen nicht möglich, Stories von privaten Konten herunterzuladen.
Nein, Sie können unbegrenzt viele Stories mit unserem Service herunterladen, kostenlos.
Ja, solange die Inhalte nicht für kommerzielle Zwecke genutzt werden. Holen Sie sich für kommerzielle Nutzung die Erlaubnis des Urhebers ein.
Die heruntergeladenen Stories werden normalerweise im Download-Ordner Ihres Geräts gespeichert.