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'Untitled No.2'

May, 2026

400mmx400mm

Digital

Yes, that is Maurice Gibb.

‘Untitled No.1’

May, 2026

400mmx400mm

Digital

Sourced from an old VHS recording, captured digtially, and distorted.

1 hour pose drawing of Paul from @nudenight_lifedrawing - Thank you for having us.

'Son of Frank - Andiamo'

November, 2025

520x520mm

Acrylic, and ink on paper

To celebrate the 5 year anniversary of my dear friends', and talented artists' @mrboombox and @julianjonathanfrancescoamato band, I am honoured to have created their second album cover 'Andiamo'.

Thank you for the opportunity to collaborate with your talents, as well as your love for music.

I look forward to creating more with @son_of_frank_music in the future.
In their wise words 'Music inspires Art. Art inspires Music. '

As always, a special thank you to @rathenartprinting for their excellent quality scanning -

Artificial Death

September, 2025

1400x900mm

Mixed media on paper

Thank you to @rathenartprinting for the excellent scanning

Artificial Death

September, 2025

1400x900mm

Mixed media on paper

Thank you to @rathenartprinting for the excellent scanning

Artificial Death

September, 2025

1400x900mm

Mixed media on paper

Thank you to @rathenartprinting for the excellent scanning

‘Unplanned Power Outage (UPO)’

September 11, 2025

420x594mm

Printmaking ink, and acrylic on paper

(Image has been digitally altered to remove lighting sheen.)

‘Ingleburn, on a Sunday Morning’

September, 2025

594x420mm

Acrylic, coloured pencil, and Posca on paper

Another pleasant valley Sunday

‘Consortium No.1’

June, 2023

594x841mm (Approximately)

The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.

‘Consortium No.1’

June, 2023

594x841mm (Approximately)

The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.

‘Consortium No.1’

June, 2023

594x841mm (Approximately)

The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.

‘Consortium No.1’

June, 2023

594x841mm (Approximately)

The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.

Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.

‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.

We are very excited to present ‘Palimpsest: Works on Paper’, a group exhibition exploring the tension between mark-making and erasure, surface and memory, legibility and resistance.

Borrowing its name from the term palimpsest — a surface made to be written over, layered with traces of prior inscriptions — the exhibition brings together six contemporary artists who approach paper not as a blank canvas, but as a contested site of presence, absence, and reconstruction.

‘RGB on a Black Screen’

June, 2025

420x594mm

Pastel on Paper

From pastel to your screen

‘Afternoon Randomness’

July, 2025

429x594mm

Graphite on paper