Instagram Story speichern

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

Fr Loralei, highest honor. thank you to her mom @katelovesbooks10 for sending me these @pickett_elementary

‘Man vs Machine’ is out now with my conversation with Cory Arcangel @arcangelsurfware and words with Salome Asega @computers_puting 🫆 I made all new never peeped work for it 🍞thank you @family_style@joshualanceglass @mekachu @rachelsummerssssmall @konnamdie

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

appreciation post to everyone at @ysl nyc and @rivedroite_official Thank you to @anthonyvaccarello for curating and for everyone who came our last night. The show is up through July 15 at 72 Gansevoort - and to @magentaplains 🫠🫠🎀

@ysl curated by @anthonyvaccarello opening this week at 72 Gansevoort🧑‍🩰

Man vs. Machine

It’s not just a simulation.

3/4 limited edition covers for FAMILY STYLE No. 9.

Find the Summer 2026 design issue of FAMILY STYLE on newsstands starting May 15–or pre-order it now via link in bio.

www.family.style/shop

Rachel Rossin, “Plaster Cast,” 2026, created for FAMILY STYLE. Image courtesy of the artist.

Original Artwork by RACHEL ROSSIN
Conversation with CORY ARCANGEL moderated by SALOME ASEGA

#FamilyStyle
#RachelRossin
#CoryArcangel
#ManVSMachine

Technology, meet Body.

Rachel Rossin (@rachelrossin) in IRL/url, a new film series from @art21, presented by CHANEL Culture Fund @chanelofficial. Eight artists. One hybrid world.

Premiering now on TikTok. Watch via link in @art21 bio. #Art21 #CHANELCultureFund #IRLurl

In focus: Rachel Rossin’s work has been acquired by the Solomon R. Guggenheim Museum in New York (@guggenhiem).

Rachel’s relationship with the Guggenheim is long-established, with her multidisciplinary display transforming the Guggenheim’s rotunda in April 2024. This immersive display, supported by the LG Guggenheim Art and Technology Initiative, set the scene for the Young Collectors Council (YCC) Party. ‘Scry Glass III’ presents a silent, nine-minute colour video displayed on a round LED display. The work invites the viewer into the digital world created by Rachel behind the convex glass.

Image 1 & 2:
Installation view Rachel Rossin’s presentation for the Young Collectors Council (YCC) Party. Image Courtesy Guggenheim Museum.

Image 3: 
‘Scry Glass III’, 2023 
Round LED display and microcomputer with digital colour video, silent, 9 min., 5 sec. 
14.6 x 14 x 8.9 cm

Video 4: 
Installation video of ‘Scry Glass III’.

Image 5: 
‘Guggenheim New York Announces 2025 Acquisitions’, January 26, 2026

#albionjeune #guggenheim #rachelrossin

In focus: Rachel Rossin’s work has been acquired by the Solomon R. Guggenheim Museum in New York (@guggenhiem).

Rachel’s relationship with the Guggenheim is long-established, with her multidisciplinary display transforming the Guggenheim’s rotunda in April 2024. This immersive display, supported by the LG Guggenheim Art and Technology Initiative, set the scene for the Young Collectors Council (YCC) Party. ‘Scry Glass III’ presents a silent, nine-minute colour video displayed on a round LED display. The work invites the viewer into the digital world created by Rachel behind the convex glass.

Image 1 & 2:
Installation view Rachel Rossin’s presentation for the Young Collectors Council (YCC) Party. Image Courtesy Guggenheim Museum.

Image 3: 
‘Scry Glass III’, 2023 
Round LED display and microcomputer with digital colour video, silent, 9 min., 5 sec. 
14.6 x 14 x 8.9 cm

Video 4: 
Installation video of ‘Scry Glass III’.

Image 5: 
‘Guggenheim New York Announces 2025 Acquisitions’, January 26, 2026

#albionjeune #guggenheim #rachelrossin

In focus: Rachel Rossin’s work has been acquired by the Solomon R. Guggenheim Museum in New York (@guggenhiem).

Rachel’s relationship with the Guggenheim is long-established, with her multidisciplinary display transforming the Guggenheim’s rotunda in April 2024. This immersive display, supported by the LG Guggenheim Art and Technology Initiative, set the scene for the Young Collectors Council (YCC) Party. ‘Scry Glass III’ presents a silent, nine-minute colour video displayed on a round LED display. The work invites the viewer into the digital world created by Rachel behind the convex glass.

Image 1 & 2:
Installation view Rachel Rossin’s presentation for the Young Collectors Council (YCC) Party. Image Courtesy Guggenheim Museum.

Image 3: 
‘Scry Glass III’, 2023 
Round LED display and microcomputer with digital colour video, silent, 9 min., 5 sec. 
14.6 x 14 x 8.9 cm

Video 4: 
Installation video of ‘Scry Glass III’.

Image 5: 
‘Guggenheim New York Announces 2025 Acquisitions’, January 26, 2026

#albionjeune #guggenheim #rachelrossin

In focus: Rachel Rossin’s work has been acquired by the Solomon R. Guggenheim Museum in New York (@guggenhiem).

Rachel’s relationship with the Guggenheim is long-established, with her multidisciplinary display transforming the Guggenheim’s rotunda in April 2024. This immersive display, supported by the LG Guggenheim Art and Technology Initiative, set the scene for the Young Collectors Council (YCC) Party. ‘Scry Glass III’ presents a silent, nine-minute colour video displayed on a round LED display. The work invites the viewer into the digital world created by Rachel behind the convex glass.

Image 1 & 2:
Installation view Rachel Rossin’s presentation for the Young Collectors Council (YCC) Party. Image Courtesy Guggenheim Museum.

Image 3: 
‘Scry Glass III’, 2023 
Round LED display and microcomputer with digital colour video, silent, 9 min., 5 sec. 
14.6 x 14 x 8.9 cm

Video 4: 
Installation video of ‘Scry Glass III’.

Image 5: 
‘Guggenheim New York Announces 2025 Acquisitions’, January 26, 2026

#albionjeune #guggenheim #rachelrossin

Collaborating with your 14 year old self.

Rachel Rossin (@rachelrossin) in IRL/url, a new film series from @art21, presented by CHANEL Culture Fund @chanelofficial. Eight artists. One hybrid world.

Premiering now on TikTok. Watch via link in @art21 bio. #IRLurl

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

New York-based artist Rachel Rossin joined our call from her studio, a pocket of paint and canvas suspended above the chaos of Times Square. Inside, the space hums with its own kind of disorder, with works and technologies feeding off the restless energy that seems to radiate from the artist herself.

Step into our conversation with @RachelRossin as she unpacks self-taught experimentation, the echoes of ‘Ghost in the Shell,’ and the delicate boundary between body and technology.

(1-8) Courtesy of Rachel Rossin
(9) Rachel Rossin
Monolith, 2025
Courtesy of Albion Jeune and Rachel Rossin

#RachelRossin #hubemagazine #hubevoices #art #contemporaryart #technologyandart

Art Basel Miami Beach 2025 | Galleries Sector | Booth C27⁠ | Sascha Braunig, Paul Gardère, Becky Kolsrud, Liza Lacroix, Janis Provisor, Rachel Rossin, and Jane Swavely⁠

Rachel Rossin’s new ‘Antidotes’ series reimagines painting as a restorative cognitive technology to the sensory fatigue of our digitally saturated lives.

The new paintings are grounded in research from neuroscience and neuroaesthetics, from studies on awe, beauty, and the ways attention repairs itself.
Rossin incorporates her own fMRI brain scans, translating neural patterns associated with awe into gestures within the paint. The works are painted with hand-made pigments blended with marble dust, creating a velvet surface that absorbs and scatters light. The color systems are informed by research linking specific hues and forms to alter physiological states, lowering cortisol and promoting parasympathetic recovery.

Rachel Rossin
Antidote: Harpy above Girl and Candle at Dusk., 2025
Oil paint, hand-mixed mineral pigments and marble dust on canvas
85 x 40 in.

@rachelrossin
#rachelrossin #artbaselmiamibeach

Art Basel Miami Beach 2025 | Galleries Sector | Booth C27⁠ | Sascha Braunig, Paul Gardère, Becky Kolsrud, Liza Lacroix, Janis Provisor, Rachel Rossin, and Jane Swavely⁠

Rachel Rossin’s new ‘Antidotes’ series reimagines painting as a restorative cognitive technology to the sensory fatigue of our digitally saturated lives.

The new paintings are grounded in research from neuroscience and neuroaesthetics, from studies on awe, beauty, and the ways attention repairs itself.
Rossin incorporates her own fMRI brain scans, translating neural patterns associated with awe into gestures within the paint. The works are painted with hand-made pigments blended with marble dust, creating a velvet surface that absorbs and scatters light. The color systems are informed by research linking specific hues and forms to alter physiological states, lowering cortisol and promoting parasympathetic recovery.

Rachel Rossin
Antidote: Harpy above Girl and Candle at Dusk., 2025
Oil paint, hand-mixed mineral pigments and marble dust on canvas
85 x 40 in.

@rachelrossin
#rachelrossin #artbaselmiamibeach

Art Basel Miami Beach 2025 | Galleries Sector | Booth C27⁠ | Sascha Braunig, Paul Gardère, Becky Kolsrud, Liza Lacroix, Janis Provisor, Rachel Rossin, and Jane Swavely⁠

Rachel Rossin’s new ‘Antidotes’ series reimagines painting as a restorative cognitive technology to the sensory fatigue of our digitally saturated lives.

The new paintings are grounded in research from neuroscience and neuroaesthetics, from studies on awe, beauty, and the ways attention repairs itself.
Rossin incorporates her own fMRI brain scans, translating neural patterns associated with awe into gestures within the paint. The works are painted with hand-made pigments blended with marble dust, creating a velvet surface that absorbs and scatters light. The color systems are informed by research linking specific hues and forms to alter physiological states, lowering cortisol and promoting parasympathetic recovery.

Rachel Rossin
Antidote: Harpy above Girl and Candle at Dusk., 2025
Oil paint, hand-mixed mineral pigments and marble dust on canvas
85 x 40 in.

@rachelrossin
#rachelrossin #artbaselmiamibeach

Art Basel Miami Beach 2025 | Galleries Sector | Booth C27⁠ | Sascha Braunig, Paul Gardère, Becky Kolsrud, Liza Lacroix, Janis Provisor, Rachel Rossin, and Jane Swavely⁠

Rachel Rossin’s new ‘Antidotes’ series reimagines painting as a restorative cognitive technology to the sensory fatigue of our digitally saturated lives.

The new paintings are grounded in research from neuroscience and neuroaesthetics, from studies on awe, beauty, and the ways attention repairs itself.
Rossin incorporates her own fMRI brain scans, translating neural patterns associated with awe into gestures within the paint. The works are painted with hand-made pigments blended with marble dust, creating a velvet surface that absorbs and scatters light. The color systems are informed by research linking specific hues and forms to alter physiological states, lowering cortisol and promoting parasympathetic recovery.

Rachel Rossin
Antidote: Harpy above Girl and Candle at Dusk., 2025
Oil paint, hand-mixed mineral pigments and marble dust on canvas
85 x 40 in.

@rachelrossin
#rachelrossin #artbaselmiamibeach

Art Basel Miami Beach 2025 | Galleries Sector | Booth C27⁠ | Sascha Braunig, Paul Gardère, Becky Kolsrud, Liza Lacroix, Janis Provisor, Rachel Rossin, and Jane Swavely⁠

Rachel Rossin’s new ‘Antidotes’ series reimagines painting as a restorative cognitive technology to the sensory fatigue of our digitally saturated lives.

The new paintings are grounded in research from neuroscience and neuroaesthetics, from studies on awe, beauty, and the ways attention repairs itself.
Rossin incorporates her own fMRI brain scans, translating neural patterns associated with awe into gestures within the paint. The works are painted with hand-made pigments blended with marble dust, creating a velvet surface that absorbs and scatters light. The color systems are informed by research linking specific hues and forms to alter physiological states, lowering cortisol and promoting parasympathetic recovery.

Rachel Rossin
Antidote: Harpy above Girl and Candle at Dusk., 2025
Oil paint, hand-mixed mineral pigments and marble dust on canvas
85 x 40 in.

@rachelrossin
#rachelrossin #artbaselmiamibeach

Wednesday guest lecturing at @prattinstitute about what art is for and why I make it. Thank you Mattia Casalegno for the invite@a_radical_hypothesis
RSVP on their site

‘eyyyHot Clanging Wraith’ — install image from ‘Second Body’ curated by Molly Everett at David Kordansky Gallery, Los Angeles

‘eyyyHot Clanging Wraith’ — install image from ‘Second Body’ curated by Molly Everett at David Kordansky Gallery, Los Angeles

‘eyyyHot Clanging Wraith’ — install image from ‘Second Body’ curated by Molly Everett at David Kordansky Gallery, Los Angeles