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Great two weekends at Steadichella for Sabrina Carpenter

Special Thanks to:
Dir: @micahbickham
DP: @chasehsmith
EP: @jordy.wax

Trinity: @spflanne
Steadi: @steadi_kitch
Steadi: yours truly
And the rest of the contrast films crew

Welcome Charlotte Grace McMillan to the world, it’s gonna be a wild ride so hang on.

hey little one your goofy parents are counting the days to meet you 🤍

📷 @eunicemluis

hey little one your goofy parents are counting the days to meet you 🤍

📷 @eunicemluis

hey little one your goofy parents are counting the days to meet you 🤍

📷 @eunicemluis

hey little one your goofy parents are counting the days to meet you 🤍

📷 @eunicemluis

hey little one your goofy parents are counting the days to meet you 🤍

📷 @eunicemluis

Flying cameras with @uzielluis

A little McMuffin is coming soon in 2026

@mcsteadi running the ARRI Trinity for this opener is a cheat code. Then there’s @eddie.suparman with the timed calls and transitions… But pair that with the workflow on the @cinelivebroadcast truck and your event is cooked… medium rare 🤤 🥩

Peep the claw grip 👀 Mcsteadi cooked up a custom claw grip that let him control both PTZ camera and gimbal movement in real time. Seamlessly blending manual and robotic control, this setup gives him precision moves that would normally take multiple operators to pull off.

The Trinity takes everything great about a Steadicam—body-supported weight distribution, organic movement, and smooth long takes—and adds full-axis gimbal control for extreme versatility. Unlike traditional Steadicam, it allows for dynamic low-to-high transitions, 360-degree rolls, and rock-solid tracking shots while keeping that natural handheld feel.

From last week with a Canon 50-1000mm and ARRI Alexa 35

Long boi

Circle a football field oner