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magic.yes
Katia Lyubavskaya
puns & smileys
London
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
objects in the mirror are closer than they appear 🫧
some shots of my ‘soaperstar’ series :D
prior to the new #nomadicsmiley baby being due next week 🤞🏻, here is a quick overview of the project =)
holey sheet series
9 smileys
layers of mesh canvas, cut holes
30 x 42 cm
2023
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Some install shots with my pieces 💭 in the Safe & Sound exhibition.
Artworks made of mirrors covered with cute smileys that resemble splashes of soap foam, mimicking a bathroom routine. ‘Soaperstar’ is a pun on ‘superstar’. You’ll get to be your own ‘soaperstar’ in the mirror with all these bubbly smileys around!
Exhibition continues through June 26 by appointment
@allenstreetgallery 65 Allen Street, New York
Curated by @slowconstruct x @leroystreetstudio
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Happy to share some shots from the opening of Safe & Sound exhibition last Friday in @allenstreetgallery curated by @slowconstruct x @leroystreetstudio during @nycxdesign where I am participating with my Soaperstar series artworks 💭
big shoutout to @jesslynyovita !!!
In an era marked by political strain, housing uncertainty, and global instability, Safe & Sound asks what refuge looks like now—when the promise of home can feel fragile—and how art, design, and material choices can carry a sense of protection, comfort, and belonging.
Featuring: Akash Godbole, Braden Caldwell, Celine Salomon, Che-Wei Wang, Gabriela Gutierrez, Han Seungmin, Hanna Anonen, Haya Alnibari, Jeremy Son, Kate Bedford, Katia Lyubavskaya, Liyang Zhang, Lorenz Krisai, Mara Lookabaugh, Micael Duran, Moniera Buck, Nazanin Modares, Nikki Helou, Randy Armas Moreno, Rohan Cherayil, Stephen Muir, Studio S ll, Vanessa Tai, Yinqing Zhu
Photography by @pietermelo
Visual identity by @co.policy
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
Some shots from my personal show ‘the exhibition is clouded’ in @surgery.gallery :) come visit until 17.04! So many thanks to Bjorn Hatleskog and @lublu_effgenka for support and patience 🫶🏻 Shoreditch is luv, see u there :)
For this presentation, I transformed the exhibition surface into one large-scale artwork, extending my signature Steampun-k series beyond the conventional frame. The gallery’s showcase windows become a single unified object - a vast expanse of misted glass bearing traces of fleeting communication.
The casual finger drawings on fogged mirrors or glass have no relation to the original steampunk genre. Instead, I playfully pun on the term, reinterpreting it through a new visual language.
Here, the gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it. The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
The remaining drawings in the installation evoke what passersby and local residents, children, hooligans, and I myself might have scrawled had this been real fogged glass.
on view temporarily permanently only 🌬️🌫️
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
:) :) :) :) :) :) :) :) :) :) :(
tape - inspired little cuties
wood, epoxy
15 x 15 cm each
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
Come join us today 6-9 pm for the opening =)
The gallery’s transparency turns into opacity. The street and the exhibition space are separated by a veil of condensation - one that instinctively invites the viewer to peer beyond it.
The title itself, The Exhibition Is Clouded, functions both as a description and a visual pun, announcing its own obscurity. Beneath the title, schematic rectangular frames are drawn as if outlining pictures on a wall - a playful suggestion that these are, in fact, the artworks on display.
79A Pitfield street, N1 6BT @surgery.gallery
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