Instagram Story speichern

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

Incredibly honoured to have photographed @heartbreaknetflix cast for @netflixanz. Can’t believe I waited this long to post them!

Thanks for having me again @burstycompany @_ryan.earles_ @__abbymorgan__ ♥️

Executive Producer @jemma_amalie
Production Design @yesmakeda
Producer @thick__owens
Digi Op @davzzzon
Polaroid assist @spider_of_kn0ts
Event assist @hazelsherritt
Backdrop @lyntaylorphoto
Broken Hearts Tracey Murtz

Season 3 (last one, I can’t believe it!) is out. 👁️

#heartbreakhigh #netflixanz #netflix

For this shoot, we had to change plans as the weather didn’t help us that day. We had to adapt the concept on the spot. Now I look back and see how things happen the way they’re supposed to.

Meg’s song says, “It’s my party and I cry if I want to,” which is a sentence I have related to before. This shoot translated that feeling.

The melancholy and the sparkles sometimes do belong together.

@megmac featured in @draftmagazine

Creative Direction and Photography @macami__
Producer @tristanjcharles
Interview @arca_____________
Styling @joelymalcolm
Hair @georgie_allthingshair
Makeup@laurendrazenovic
Digi @ren_fler
Photo Assist @ainas.album

Wearing @rabanne @kazmexico

Primary Contrast featured in @draftmagazine

Photography @macami__ @mathew__stott @scottheldorf
Makeup @jessicayangmakeup
Hair @tritran_makeup
Assistant @devikaa_
Studio @studiokilla.co

#beautyeditorial #creativebeauty

@bonnieonnieonniee by @bonnnie.n

talent @nevaehmata1ra from @priscillasmodels mua @da3ni_mua photo assist @shotbylachie styling assist @hannahfrohlich shot at @deskandstudio

#fashioncampaign #surrealphotography #experimentalphotography

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

The Scourge Of Allegory: Genesis Owusu Finds Home In Reality @genesisowusu

For years, Genesis Owusu has been building worlds to help make sense of this one.

Black dogs. Roaches. Characters that could carry the weight of real life without ever naming it directly. Allegory gave him distance from reality, a way to make it more surreal and, in some ways, more manageable.
But for his new album, REDSTAR WU & THE WORLDWIDE SCOURGE, that distance is gone.

Sitting down with the Ghanaian-Australian artist, the sincerity is palpable. “I honestly felt like in this time and space, I didn’t have the privilege to be ambiguous anymore”, he explains. “It felt like there was a wave washing over the world. Hatred, greed, far-right ideology becoming cool again. Washing over like a plague. A worldwide scourge. The album is about the here and now, the trials and tribulations and the chaos and the paranoia, but also about community, and regaining our ability to see the humanity in one another.”

Full interview
LINK IN BIO

Words by @rlcln

Editor in Chief @macami__
Managing Director @ngowyn
Visual Director @davzzzon

Creative Direction @ngowyn
Photography @macami__
Producer @byshaz_
Styling @stylewithsig
Makeup + Hair @mua_felicity
Makeup assistant @thatmakeupboy

Genesis Owusu wearing
Chainvest - @tobiassangkuhl
Jewellry - @dinosaur_designs @70harley

#genesisowusu #editorial #draftmagazine

Newcastle Seagulls . Easter, 2026.

Shot with Canon Power Shot V1.

Newcastle Seagulls . Easter, 2026.

Shot with Canon Power Shot V1.

Newcastle Seagulls . Easter, 2026.

Shot with Canon Power Shot V1.

Newcastle Seagulls . Easter, 2026.

Shot with Canon Power Shot V1.

DRAFT. Calendar 2026

13 photographs, 1 story, 17 creatives. Made with passion.

direction/photography MACAMI & BOYSHOOTSWORLD @macami__ @boyshootsworld
make up SUSAN LILIAN @susanlilianmakeup
hair FABIO VIVAN @fabio_vivan @headcasehair using @hairbysammcknight products
styling Emma Cotterill @emma_cotterill
set Ruby Lou
talent Ace Diniz from Kult Australia & Nana Abramova from Merci Management @acediniz @kultaustralia @nana_abramova @mercimanagement
nails Nails.ByPasco @nails.bypasco
digi op Ren Fler @ren_fler
assist Tristan Charles & Chali Mendoza Mendez @tristanjcharles @odditys_photographs
hair assist Eryn Stewart @eryn_headcasehair
bts TOM CRAFT @tomcrafts
extras @odditys_photographs @kaitlyn.rainbow, @peteyp4rker & @tomcrafts
studio LOBSTER STUDIOS @lobsterstudios_

#editorial #2026calendar #draftcalendar #draftmagazine

DRAFT. Calendar 2026

13 photographs, 1 story, 17 creatives. Made with passion.

direction/photography MACAMI & BOYSHOOTSWORLD @macami__ @boyshootsworld
make up SUSAN LILIAN @susanlilianmakeup
hair FABIO VIVAN @fabio_vivan @headcasehair using @hairbysammcknight products
styling Emma Cotterill @emma_cotterill
set Ruby Lou
talent Ace Diniz from Kult Australia & Nana Abramova from Merci Management @acediniz @kultaustralia @nana_abramova @mercimanagement
nails Nails.ByPasco @nails.bypasco
digi op Ren Fler @ren_fler
assist Tristan Charles & Chali Mendoza Mendez @tristanjcharles @odditys_photographs
hair assist Eryn Stewart @eryn_headcasehair
bts TOM CRAFT @tomcrafts
extras @odditys_photographs @kaitlyn.rainbow, @peteyp4rker & @tomcrafts
studio LOBSTER STUDIOS @lobsterstudios_

#editorial #2026calendar #draftcalendar #draftmagazine

Interlude: Reimagining Fashion Campaigns

MIRAGE
photo: @macami__
styling: @yuzhenw.info
hair: @fabio_vivan
makeup: @carlylim_makeup
set: @macami__ @mariavonstaa @chanchalamann
model: @planetbub from @chadwickmodels
digi: @davzzzon
photo assistant and bts: @chanchalamann
studio: @lobsterstudios_
wearing: @alannahleewalton

#sydneycreatives #fashionindustry #creativeindustry #ausfashion

YOU’RE INVITED: Meg Mac’s Surprise Party @megmac

50 kilos of confetti, best laid plans, and singing for its own sake

Meg Mac hadn’t used a loop pedal on stage in more than ten years. At soundcheck she’d nearly pulled it from the set because she was, in her words, wussing out. “I don’t know guys, I don’t know if I should do this song.” She went for it anyway, hit record, but hadn’t cleared the test run from earlier, so the whole thing came blasting out at once and she swore at the room, started over, lost the timing, got about halfway through, stopped, and told the audience she was going to try again. It was an unexpected crowd pleaser. “Everyone’s favourite thing was when I fucked up something so bad and I just went fuck!” she says, laughing about it now, just a week out from that first date on her national theatre tour for It’s My Party, her fourth album.

Full interview
LINK IN BIO

words by @arca_____________

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Project Manager: @tristanjcharles
Content: @ngowyn

Creative Direction and Photography @macami__
Producer @tristanjcharles
Styling @joelymalcolm
Hair @georgie_allthingshair
Makeup@laurendrazenovic
Digi @ren_fler
Photo Assist @ainas.album

Wearing @rabanne @_aje_ @kazmexico

#megmac #creativeheartbeat #draftmagazine

YOU’RE INVITED: Meg Mac’s Surprise Party @megmac

50 kilos of confetti, best laid plans, and singing for its own sake

Meg Mac hadn’t used a loop pedal on stage in more than ten years. At soundcheck she’d nearly pulled it from the set because she was, in her words, wussing out. “I don’t know guys, I don’t know if I should do this song.” She went for it anyway, hit record, but hadn’t cleared the test run from earlier, so the whole thing came blasting out at once and she swore at the room, started over, lost the timing, got about halfway through, stopped, and told the audience she was going to try again. It was an unexpected crowd pleaser. “Everyone’s favourite thing was when I fucked up something so bad and I just went fuck!” she says, laughing about it now, just a week out from that first date on her national theatre tour for It’s My Party, her fourth album.

Full interview
LINK IN BIO

words by @arca_____________

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Project Manager: @tristanjcharles
Content: @ngowyn

Creative Direction and Photography @macami__
Producer @tristanjcharles
Styling @joelymalcolm
Hair @georgie_allthingshair
Makeup@laurendrazenovic
Digi @ren_fler
Photo Assist @ainas.album

Wearing @rabanne @_aje_ @kazmexico

#megmac #creativeheartbeat #draftmagazine

YOU’RE INVITED: Meg Mac’s Surprise Party @megmac

50 kilos of confetti, best laid plans, and singing for its own sake

Meg Mac hadn’t used a loop pedal on stage in more than ten years. At soundcheck she’d nearly pulled it from the set because she was, in her words, wussing out. “I don’t know guys, I don’t know if I should do this song.” She went for it anyway, hit record, but hadn’t cleared the test run from earlier, so the whole thing came blasting out at once and she swore at the room, started over, lost the timing, got about halfway through, stopped, and told the audience she was going to try again. It was an unexpected crowd pleaser. “Everyone’s favourite thing was when I fucked up something so bad and I just went fuck!” she says, laughing about it now, just a week out from that first date on her national theatre tour for It’s My Party, her fourth album.

Full interview
LINK IN BIO

words by @arca_____________

Editor in Chief @macami__
Managing Director: @ngowyn
Visual Director: @davzzzon
Project Manager: @tristanjcharles
Content: @ngowyn

Creative Direction and Photography @macami__
Producer @tristanjcharles
Styling @joelymalcolm
Hair @georgie_allthingshair
Makeup@laurendrazenovic
Digi @ren_fler
Photo Assist @ainas.album

Wearing @rabanne @_aje_ @kazmexico

#megmac #creativeheartbeat #draftmagazine

DRAFT. Calendar 2026

13 photographs, 1 story, 17 creatives. Made with passion.

direction/photography MACAMI & BOYSHOOTSWORLD @macami__ @boyshootsworld
make up SUSAN LILIAN @susanlilianmakeup
hair FABIO VIVAN @fabio_vivan @headcasehair using @hairbysammcknight products
styling Emma Cotterill @emma_cotterill
set Ruby Lou
talent Ace Diniz from Kult Australia & Nana Abramova from Merci Management @acediniz @kultaustralia @nana_abramova @mercimanagement
nails Nails.ByPasco @nails.bypasco
digi op Ren Fler @ren_fler
assist Tristan Charles & Chali Mendoza Mendez @tristanjcharles @odditys_photographs
hair assist Eryn Stewart @eryn_headcasehair
bts TOM CRAFT @tomcrafts
extras @odditys_photographs @kaitlyn.rainbow, @peteyp4rker & @tomcrafts
studio LOBSTER STUDIOS @lobsterstudios_

#editorial #2026calendar #draftcalendar #draftmagazine

DRAFT. Calendar 2026

13 photographs, 1 story, 17 creatives. Made with passion.

direction/photography MACAMI & BOYSHOOTSWORLD @macami__ @boyshootsworld
make up SUSAN LILIAN @susanlilianmakeup
hair FABIO VIVAN @fabio_vivan @headcasehair using @hairbysammcknight products
styling Emma Cotterill @emma_cotterill
set Ruby Lou
talent Ace Diniz from Kult Australia & Nana Abramova from Merci Management @acediniz @kultaustralia @nana_abramova @mercimanagement
nails Nails.ByPasco @nails.bypasco
digi op Ren Fler @ren_fler
assist Tristan Charles & Chali Mendoza Mendez @tristanjcharles @odditys_photographs
hair assist Eryn Stewart @eryn_headcasehair
bts TOM CRAFT @tomcrafts
extras @odditys_photographs @kaitlyn.rainbow, @peteyp4rker & @tomcrafts
studio LOBSTER STUDIOS @lobsterstudios_

#editorial #2026calendar #draftcalendar #draftmagazine

Primary Contrast featured in @draftmagazine

Photography @macami__ @mathew__stott @scottheldorf
Makeup @jessicayangmakeup
Hair @tritran_makeup
Model Davies @_rinmodels
Assistant @devikaa_
Studio @studiokilla.co

@bonnieonnieonniee by @bonnnie.n

UTS Graduate Collection 2025

talent @nevaehmata1ra from @priscillasmodels

mua @da3ni_mua photo assist @shotbylachie styling assist @hannahfrohlich shot at @deskandstudio

@bonnieonnieonniee by @bonnnie.n

UTS Graduate Collection 2025

talent @nevaehmata1ra from @priscillasmodels

mua @da3ni_mua photo assist @shotbylachie styling assist @hannahfrohlich shot at @deskandstudio