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Details 🌈🌈

Details 🌈🌈

Details 🌈🌈

Details 🌈🌈

DETAILS - of painting “The Prince” 🤴🏿

DETAILS - of painting “The Prince” 🤴🏿

Psalm 1: Reload It as part of the Low End Theory exhibition exploring bass as more than sound, in Camberwell College of Art, photographed by Karan Kwok @artssulondon @madeinartslondon

Psalm 1: Reload It as part of the Low End Theory exhibition exploring bass as more than sound, in Camberwell College of Art, photographed by Karan Kwok @artssulondon @madeinartslondon

In progressss & the talented @liz_yunart 😊

In progressss & the talented @liz_yunart 😊

LOW END THEORY 🎧

Happy to be a part of an upcoming group exhibition at Camberwell College of Arts (5-24 Nov) exploring bass as more than sound.

Through painting, sculpture, sound, video and movement artists make the unseen energy of bass visible and felt, tracing its roots in black, queer and diasporic spaces where rhythm becomes a form of resistance, memory and joy.

Poster art: from my oil painting ‘Psalm
1: Reload It’

Curated by @alucubas and @m_arissaderrick

Happy to be participating in this exhibition of works by talented UAL Black staff, students, and alumni 🎓

Private View Oct 2nd 6pm, tickets via Eventbrite 🖤

'Speaking from the Margins' offers a platform for Black voices across the university to co-create, exhibit and engage in dialogue. It foregrounds work that reimagines the margins as sites of defiance and creative possibility.

The works on display explore themes of decolonisation, preservation, resistance and joy, highlighting the plurality of Black experience.

We invite viewers to consider how knowledge is created and shared, showing how the margins can become spaces of potential to reshape dominant discourses.

Curated by Melisa Makong’o

Happy to be participating in this exhibition of works by talented UAL Black staff, students, and alumni 🎓

Private View Oct 2nd 6pm, tickets via Eventbrite 🖤

'Speaking from the Margins' offers a platform for Black voices across the university to co-create, exhibit and engage in dialogue. It foregrounds work that reimagines the margins as sites of defiance and creative possibility.

The works on display explore themes of decolonisation, preservation, resistance and joy, highlighting the plurality of Black experience.

We invite viewers to consider how knowledge is created and shared, showing how the margins can become spaces of potential to reshape dominant discourses.

Curated by Melisa Makong’o

Details🔎

‘Psalm 3: Damilola’ 2025

Acrylic, silver leaf and embroidery thread on joined wooden panels

Details🔎

‘Psalm 3: Damilola’ 2025

Acrylic, silver leaf and embroidery thread on joined wooden panels

Details🔎

‘Psalm 3: Damilola’ 2025

Acrylic, silver leaf and embroidery thread on joined wooden panels

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

In studio experimentations with this work, Psalm 3: Damilola, acrylic with silver leaf and thread on circular wooden panels

The central panel panel draws from the well known photo of Damilola smiling, while the side panels depict CCTV stills from the last day of his life

Inspired by early Christian art through thetriptych form and use of metal leaf, I wanted to experiment with how to commemorate and remember life through painting

Mourning in Gaza (2025)

100 x 120cm

Double layered canvas, top layer oil paints with a slash to partly reveal gold leaf underlayer

Mourning in Gaza (2025)

100 x 120cm

Double layered canvas, top layer oil paints with a slash to partly reveal gold leaf underlayer

Mourning in Gaza (2025)

100 x 120cm

Double layered canvas, top layer oil paints with a slash to partly reveal gold leaf underlayer

Mourning in Gaza (2025)

100 x 120cm

Double layered canvas, top layer oil paints with a slash to partly reveal gold leaf underlayer

Mourning in Gaza (2025)

100 x 120cm

Double layered canvas, top layer oil paints with a slash to partly reveal gold leaf underlayer

Installation shots from the UAL Camberwell Postgrad Show :)

Thank you to everyone who came to support means the world to me🥰 & thank you to my classmates who helped me paint the wall this beautiful colour for the show xx

1. Mourning in Gaza (120x100 cm)
2. Psalm 2: Death Waiting (120x60 cm)
3. Psalm 1: Reload It (120x60 cm)

All oil paintings on canvas, Mourning in Gaza is a double layered canvas with goldleaf underlayer

Installation shots from the UAL Camberwell Postgrad Show :)

Thank you to everyone who came to support means the world to me🥰 & thank you to my classmates who helped me paint the wall this beautiful colour for the show xx

1. Mourning in Gaza (120x100 cm)
2. Psalm 2: Death Waiting (120x60 cm)
3. Psalm 1: Reload It (120x60 cm)

All oil paintings on canvas, Mourning in Gaza is a double layered canvas with goldleaf underlayer

Installation shots from the UAL Camberwell Postgrad Show :)

Thank you to everyone who came to support means the world to me🥰 & thank you to my classmates who helped me paint the wall this beautiful colour for the show xx

1. Mourning in Gaza (120x100 cm)
2. Psalm 2: Death Waiting (120x60 cm)
3. Psalm 1: Reload It (120x60 cm)

All oil paintings on canvas, Mourning in Gaza is a double layered canvas with goldleaf underlayer

The UAL MA Postgrad show at Camberwell College of Art is still on until this Sat, 5 floors of amazing work 🥳

I’m showing new work with MA Painting on the 3rd Floor

Thurs & Fri: open 12-8pm
Sat: open 10am-4.30pm

DETAIL shot of part of Psalm 2: Death Waiting

Oil paint on canvas, 120 x 165 cm

I tend to have a song on repeat or make a playlist for each painting I do to help convey certain moods - this beautiful song I had on repeat for this painting

DETAIL shot of part of Psalm 2: Death Waiting

Oil paint on canvas, 120 x 165 cm

I tend to have a song on repeat or make a playlist for each painting I do to help convey certain moods - this beautiful song I had on repeat for this painting