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Maya Seas “Jade Room” 2026 Acrylic, moulding paste and 24K gold on canvas
36x48”

“Teree naq, teree chal (crooked nose, crooked walk)”, oil and charcoal on muslin, 65.5 x 49 in., 2026✨

On view at @halfgallery curated by @rajivmenoncontemporary through June 10
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#AizaAhmed#HalfGallery#RajivMenonContemporary#ContemporaryArt

“Teree naq, teree chal (crooked nose, crooked walk)”, oil and charcoal on muslin, 65.5 x 49 in., 2026✨

On view at @halfgallery curated by @rajivmenoncontemporary through June 10
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#AizaAhmed#HalfGallery#RajivMenonContemporary#ContemporaryArt

“Teree naq, teree chal (crooked nose, crooked walk)”, oil and charcoal on muslin, 65.5 x 49 in., 2026✨

On view at @halfgallery curated by @rajivmenoncontemporary through June 10
.
.
.
.
#AizaAhmed#HalfGallery#RajivMenonContemporary#ContemporaryArt

“Teree naq, teree chal (crooked nose, crooked walk)”, oil and charcoal on muslin, 65.5 x 49 in., 2026✨

On view at @halfgallery curated by @rajivmenoncontemporary through June 10
.
.
.
.
#AizaAhmed#HalfGallery#RajivMenonContemporary#ContemporaryArt

“Teree naq, teree chal (crooked nose, crooked walk)”, oil and charcoal on muslin, 65.5 x 49 in., 2026✨

On view at @halfgallery curated by @rajivmenoncontemporary through June 10
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#AizaAhmed#HalfGallery#RajivMenonContemporary#ContemporaryArt

@saniebokhari in “Time Pass” curated by @rajivmenon on view now until June 10th

Image:

“Pattern Outlives the Body”
2026
Acrylic and pastel on canvas
48x36”

It’s Maud Madsen’s birthday. Many happy returns, Maud…

Image:

“Topple”
2026
Oil on linen
8x10”

Now available: Alla Prima, the fourth installment in the Bill Powers series.

A collection of interviews, stories, and personal reflections featuring Richard Prince, Eddie Martinez, Jeff Koons, Jonas Wood, Nathaniel Mary Quinn, and more - offering a rare look into the artists, friendships, and moments that shape the contemporary art world.

Purchase now at junior.pub
Link in bio.

LA-based gallerist Rajiv Menon, curator of “Time Pass,” an exhibition of emerging South Asian artists opens tonight 6-8pm

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

In conversation with @_shaqy, @meghannstephenson speaks about beauty, anxiety, self-destruction, and the small actions that make her paintings feel as if they exist right before or right after disaster.

👀 Read the interview on The-Unibrow.com. Link in bio.

”There was a theme last year in many of the exhibitions of testing how much destruction we could handle, both to ourselves and as a greater organized society. Because so much of the year was about destruction that was out of our control, I think many artists began to take ownership, or at least attempt, of their own ritual of deconstruction. You could see that as completely destabilizing, but in the case of Meghann, it was empowering.” — Shaquille Heath

1. Portrait by @bonomelendrez
2. “Why Be a Cut Flower When You Can Be a Weed?”, 2024
4.  ”A Sheep in Wolf’s Clothing,” 2025
6. “Swan Dive,” 2024
7. “Heavy Handed,” 2025
9. “By All Means,” 2023

#meghannstephenson #theunibrow #painting
@halfgallery

“Time Pass”curated by Rajiv Menon opens thisFriday 6-8pm

Image:

Sajeela Siddiq “Conference of the Birds” Oil on Canvas 54 x 42”, 2025

Aineki Traverso’s exhibition “de profundis” opens this Friday, May 15th, in our annex space.

Image:

“To flirt from the periphery” 48” x 72”, Oil on panel, 2026

I had the pleasure of spending time with William Eggleston at his home in Memphis yesterday. Many thanks to his family for their graciousness.

Alex Maceda “Malasana” at @friendsfair.art

New Gary Kuehn work for @friendsfair.art opening tomorrow

Gary Kuehn (b. 1939) is an American sculptor and painter associated with Post-Minimalism and Process Art. Emerging in the 1960s, Kuehn wasincluded in the landmark exhibition When Attitudes Become Form (1969) at Kunsthalle Bern alongside Eva Hesse, Joseph Beuys, Walter De Maria, Bruce Nauman, Richard Serra and more. His work is held in the collections of the Museum of Modern Art, the Whitney Museum of American Art, and many other major institutions.