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Liling LIU
Based in Singapore
Realised ‘After Light’ opened two years ago today.
🖤
December Sun, 2023
286 x 156 mm (17 parts)
Realised ‘After Light’ opened two years ago today.
🖤
December Sun, 2023
286 x 156 mm (17 parts)
Realised ‘After Light’ opened two years ago today.
🖤
December Sun, 2023
286 x 156 mm (17 parts)
Realised ‘After Light’ opened two years ago today.
🖤
December Sun, 2023
286 x 156 mm (17 parts)
Realised ‘After Light’ opened two years ago today.
🖤
December Sun, 2023
286 x 156 mm (17 parts)
The Fissure and A Light: 2024/04 - 2025/12
Tomorrow is the last day of our group show at the Objectifs Lower Gallery, presented by Comma Space.
The Fissure and A Light: 2024/04 - 2025/12
Tomorrow is the last day of our group show at the Objectifs Lower Gallery, presented by Comma Space.
The Fissure and A Light: 2024/04 - 2025/12
Tomorrow is the last day of our group show at the Objectifs Lower Gallery, presented by Comma Space.
The Fissure and A Light: 2024/04 - 2025/12
Tomorrow is the last day of our group show at the Objectifs Lower Gallery, presented by Comma Space.
The Fissure and A Light: 2024/04 - 2025/12
Tomorrow is the last day of our group show at the Objectifs Lower Gallery, presented by Comma Space.
Shown in a warmer setting a year from ‘After Light’.
Sea Fog, 2023
Inkjet print, aluminium
1240 x 825 x 1.5 mm
Photo courtesy of James Retief and CAIM.
🖤
CAIM at Slane Castle
Curated by Jenn Ellis and Matilda Liu
12- 30 September 2025
The Fissure and A Light, 2025
Lightbox, two layered inkjet prints
30 x 24.7 x 5 cm
-
Objectifs Lower Gallery
20 January - 22 February 2026
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
Liu Liling, an artist from Singapore, trained as a painter, uses photographic tools such as printers and scanners, but rarely a camera, to create surfaces. In these works, she began by printing on coated surfaces. “Because the ink cannot bite the surface, it sits atop and dries slowly—a process that can take six months or longer.” She watches the gradual, subtle changes, and waits. She is patient. Her work is about light; silent of any ostensible subject, it is meditative, slow art.
—Tony Godfrey (excerpt from "WHEN TIME BECOMES SPACE")
A Blade (of grass), A Breeze (of love)
Liling Liu
inkjet print on fine art paper
35.6 x 48.5 cm (unframed)
Edition 1 of 3 + AP
2025
Moon Tide
Liling Liu
inkjet print on fine art paper
43 x 30 cm (unframed)
Edition 2 of 3 + AP
2023
When Time Becomes Space
A curatorial project of Tony Godfrey
The show runs until 31 December
For inquiries, contact us on our social media accounts, through mobile at +63917 572 7970, or email us at exhibitions@mo-space.net. You may also visit our website to learn more about the exhibition.
For ‘When Time Becomes Space’ - A curatorial project of Tony Godfrey.
22 November - 31 December 2025
@mo_space
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