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Link in bio #tbt listen to yesterday’s very quotable episode with @okcowgirlband!

This week’s new music playlist top 20 🎧
Songs we like. Bands we like.

@brotherbird_
@therealhumanbarbie
@pluralone_official
@sundaymourners
@widowspeaking
@hovvdy
@narasroom
@__fashn_
@thehealingpowerofhorses
@locust_mvh
@coldcourt_
@after.louise
@waltdisco
@camouflybeats
@theunderachievers, @issa_gold & @akthesavior
@overmono
@kareem, @tiny.gun
@villanellemusic
@xfanchonx
@showmethebody

Follow our @spotify playlist for the full weekly mix

#weeklyplaylist #alternativerock #newmusicdiscovery #indierock #grungealternative

Playlist love for @brotherbird_’s newest single “Chameleon”

Featured Playlists:
@applemusic “New in Alternative”
@symphonicdistro “Indie Waves”

#newindiemusic #indieplaylist #newalternative #newmusicdiscovery #indieartistspotlight

Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.

Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.

Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.

Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.

Big thanks to @uptohearmusic for the support!! “Chameleon” from @brotherbird_ now streaming everywhere.

Thanks for the @okcowgirlband love @thelineofbestfit ❤️

Thanks for the @okcowgirlband love @thelineofbestfit ❤️

Thanks for the @okcowgirlband love @thelineofbestfit ❤️

This week’s new music playlist top 20 🎧
Songs we like. Bands we like.

@okcowgirlband
@porches_hiii
@band_cola
@slowfictionband
@jawdroppedtheband
@dogmasociety9
@risecarmineofficial
@fright_years
@turnoverva
@thehauntedyouth_official
@dazysound
@rip__magic
@aandrelawrencee
@vulfpeck, @patricksargent
@strangelot
@girlfriend.wife
@pekingduk, @phantogram
@everyone_says_hi_
@zzzahara.wav
@elmtreecircle, @moritzhammrich

#newindiemusic #weeklyplaylist #altrockmusic #shoegazemusic #newmusicdiscovery

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

Chameleon is here!

this song has shape-shifted into a million different versions of itself the past 3 years— so very thrilled to finally share this one

production by @yourstruly.mrmartens , @obolewis , & @okayfineandy
mixed and engineered by @yourstruly.mrmartens additional engineering by @obolewis
mastered by @danmillice
guitars by @jnslrzno
drums by @coolranchdorio
bass by @eli.beaird
string arrangements by @alfieslookbook8899
strings by @alfieslookbook8899 , @laurepling , @beccabradleymusic , & @bugs_bob
lyrics, vocals, additional guitars & production by 🙋‍♀️

cover art & film shot by @cbauerphoto

@brotherbird_ ‘s “Chameleon” is out now on all streaming platforms. Catch her on tour with @okayfineandy starting May 29 in Chicago at @oldtownschool . More info @ link in bio.

Playlist love for @okcowgirlband’s latest single “Prepared to Lose” 🎧💗

Featured Playlists:
@applemusic New in Alternative
@applemusic New in Rock
@spotify All New Rock
@symphonicdistro Indie Waves

#newmusic #indierock #alternativerock #indieplaylist #playlistspotify

Thanks for the @okcowgirlband love @floodmagazine ❤️.

Thanks for the @okcowgirlband love @floodmagazine ❤️.

Thanks for the @okcowgirlband love @floodmagazine ❤️.

Thanks for the @okcowgirlband love @floodmagazine ❤️.

Chameleon is out tomorrow!

+ then I get to play a bunch of solo shows with @okayfineandy and melt into the floor!

only a handful of tix left, so go get em

05.29 Chicago, IL (sold out)
05.30 Chicago, IL (sold out)
05.31 Detroit, MI
06.02. Cleveland, OH (sold out)
06.03 Millvale, PA
06.05 Boston, MA (sold out)
06.06 Woodstock, NY
06.07 New York, NY (sold out)
06.09Wilmington, DE (sold out)
06.10 Saxapahaw, NC (low tix)
06.11 Charleston, SC
06.12 Birmingham, AL (sold out)

see you soon 🦎💕