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New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

New work: “Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now,” a companion to the exhibition at Telfair Museums in Savannah, Georgia, curated by Erin Dunn (@erindunn_art) and Beryl Gilothwest (@beyrl).

The book looks at the island through the lens of the artists who participated in the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that ran from 1961 to 1982, and traces their influence on the island as a site for creative experimentation.

9 × 12 inches, 208 pages, clothbound with tip-on

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Congratulations to Natalie Musteata (@nmusteata) and Alexandre Singh on their Oscar win for Best Live Action Short Film. “Two People Exchanging Saliva” (@two_people_exchanging_saliva) is a beautiful and absurd and funny and tragic story. We’re honored to have collaborated with them on the titles for it.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

Exhibition graphics and map of works for Ministry: Reverend Joyce McDonald @bronxmuseum, curated by Kyle Croft @visual_aids. Installation photography courtesy of The Bronx Museum. Photos by Argenis Apolinario. The exhibition is open through January 11, 2026.

New work: marketing title treatment and custom font for Emerald Fennell’s Wuthering Heights. Thanks to the great team at @wbd

New work: marketing title treatment and custom font for Emerald Fennell’s Wuthering Heights. Thanks to the great team at @wbd

New work: marketing title treatment and custom font for Emerald Fennell’s Wuthering Heights. Thanks to the great team at @wbd

New work: titles for Zach Cregger’s phenomenal new movie WEAPONS. See it on a big screen and stick around for the end crawl.

New work: Design & development for William Stout Architectural Books. The site builds on a new identity and typeface by LoveFrom, their neighbors in San Francisco. Thanks to the teams at @stoutbooks, @eamesinstitute, and LoveFrom for having us.
—
www.stoutbooks.com

Exclusive first look at the poster for Alex Braverman’s Andy Kaufman documentary, Thank You Very Much 🍋

The film will be released in select theaters nationwide and on digital starting March 28 via @drafthousefilms @elarapictures.

Add to your watchlist at the link in bio.

Poster designed by Teddy Blanks.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Design for the 75th National Book Awards, held last Wednesday in New York. Congratulations to all of the nominees and winners! This was our 9th time designing for the Awards, a relationship that began with the design of the Foundation’s visual identity in 2016.

1 • The “75” version of our original @NationalBookFoundation logo used throughout this anniversary year.

2 • 75 Book in glass, brought to life in 3D by @zoeambinder

3 • Barbara Kingsolver (@barbara.kingsolver) accepting the medal for Distinguished Contribution to American Letters.

4–7 • Finalist medals on Hisham Matar (@hishamjmatar), Salman Rushdie, Kaveh Akbar (@kavehakbar.kavehakbar), and Lena Khalaf Tuffaha.

8 • the Awards website

Design assistance: Jiar Fong. Photo 3: Karsten Moran for The New York Times. Photo 4: Beowulf Sheehan. Photos 5–7: Dimitrios Kambouris.

New work: Custom title treatment for @wickedmovie. Worked with the amazing team at @goteamaspect on the main titles.

All-yellow Playbill for OH, MARY! and unstaged photo of hunks achieving a selfie in front of CHIPS-designed poster. (Permission for photo was granted by hunks.)

All-yellow Playbill for OH, MARY! and unstaged photo of hunks achieving a selfie in front of CHIPS-designed poster. (Permission for photo was granted by hunks.)

Always knew a font we made would appear shining like an amulet above Slash and Gosling at the Academy Awards....just didn’t know it would happen so soon.

Jimmy Fallon ALMOST as stoked as we are about new record by the polymathic @maya_hawke. (Cover design by us)

Jimmy Fallon ALMOST as stoked as we are about new record by the polymathic @maya_hawke. (Cover design by us)