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‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

‘𝘀𝗲𝗹𝗳-𝗽𝗼𝗿𝘁𝗿𝗮𝗶𝘁’ 
oil and mixed media on organza
90x70cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw

biggest thank you to the dearest @ellaella.hung and @oliviaaaaa_jcr_ ♡

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

sharing a piece of work from last year

‘𝗵𝗲𝗮𝗿𝘁𝗯𝗲𝗮𝘁 𝗿𝗲𝗰𝗿𝗲𝗮𝘁𝗲𝗱’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

-

‘𝘁𝗼 𝘂𝗻𝗿𝗲𝗾𝘂𝗶𝘁𝗲𝗱 𝗹𝗼𝘃𝗲’
oil and mixed media on organza
80x120cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw
taiwan, taichung

-

‘𝘁𝗼 𝘂𝗻𝗿𝗲𝗾𝘂𝗶𝘁𝗲𝗱 𝗹𝗼𝘃𝗲’
oil and mixed media on organza
80x120cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw
taiwan, taichung

-

‘𝘁𝗼 𝘂𝗻𝗿𝗲𝗾𝘂𝗶𝘁𝗲𝗱 𝗹𝗼𝘃𝗲’
oil and mixed media on organza
80x120cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw
taiwan, taichung

-

‘𝘁𝗼 𝘂𝗻𝗿𝗲𝗾𝘂𝗶𝘁𝗲𝗱 𝗹𝗼𝘃𝗲’
oil and mixed media on organza
80x120cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw
taiwan, taichung

-

‘𝘁𝗼 𝘂𝗻𝗿𝗲𝗾𝘂𝗶𝘁𝗲𝗱 𝗹𝗼𝘃𝗲’
oil and mixed media on organza
80x120cm, 2026

‘hundred quilts: no knots without weight’
until 16 May @riverartgallery_tw
taiwan, taichung

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

-

‘𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝘀𝗸𝘆 𝗶𝘀 𝗯𝗹𝘂𝗲 𝗳𝗼𝗿𝗲𝘃𝗲𝗿’
oil and mixed media on organza
40x30cm
2026

Currently on view: ‘Hundred Quilts: No Knots Without Weight’ at @riverartgallery_tw until 16th May 2026.

‘Hundred Quilts: No Knots Without Weight’ is both soft and profoundly load-bearing, open in form, yet carrying a quiet resistance against erasure. It proposes a practice that confronts silence through acts of stitching, one that receives and holds the weight it inherits.

The exhibition brings together six artists whose practices span paper, painting, sculpture, and installation. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which material regains a renewed perceptual and symbolic weight in the present.

In an era marked by accelerating technology and the continual proliferation of differences, the exhibition does not emphasize “fusion,” but instead focuses on the bodily imagery of patching, layering, compression, and repetition inherent in the patchwork quilt. Through these processes, migration, trauma, care, and memory accumulate in a tangible way, forming a material structure. Here, fiber operates as a vascular or nervous system, tracing the pathways through which life and history flow across visual and spatial fields.

Featuring Artists:
Alexa Kumiko Hatanaka (@alexakumikohatanaka)
Allan Villavicencio (@allan_villavicencio_)
Angie Pai (@angiepai)
Dennis Lin (@dlsinc)
Lili Lee (@ooo_lilili)

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

halfway through 2025 felt like the next stage of life. paintings, families, and friends, left and remain.
i once came back to london to fulfill my dream in art four years ago on christmas eve, during the pandemic. i was extremely lucky to meet all my dear friends, tutors, and beloved at the rca’s graduate diploma and ma painting. looking back at myself four years ago, i am pleased with all the efforts and hard work that i did. i hope four year after in the future, I will be able to say and feel the same way about myself.  

Amy Hui Li
‘‘𝗰𝗮𝘂𝘀𝗲 𝗶 𝗰𝗮𝗻’𝘁 𝘀𝘁𝗼𝗽 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝗱𝗿𝗲𝗮𝗺𝘀 - 𝗺𝘆 𝗹𝗼𝘃𝗲 𝗮𝗻𝗱 𝗶’
oil and mixed media on organza
77x61cm, 2025

🪱
‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁’
oil and mixed media on organza
127x107cm, 2025

#amyhuili

🪱
‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁’
oil and mixed media on organza
127x107cm, 2025

#amyhuili

🪱
‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁’
oil and mixed media on organza
127x107cm, 2025

#amyhuili

🪱
‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁’
oil and mixed media on organza
127x107cm, 2025

#amyhuili

🪱
‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗹𝗶𝗴𝗵𝘁’
oil and mixed media on organza
127x107cm, 2025

#amyhuili

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

recent group show with @cell_studios

work on view:

‘𝘄𝗵𝗮𝘁 𝗶𝘀 𝗲𝗹𝘀𝗲 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗲?’
acrylic and mixed media on organza
70x45cm, 2025

along with feature artists:
Sofia Sullivan
Emma Bond
Anka Dabrowska
Michele Fletcher
Pei-Yi Tsai
Patricia Pisanelli
Elspeth Vince

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

another blue painting of spring this year 

Amy Hui Li
‘𝗶 𝗿𝗲𝗺𝗲𝗺𝗯𝗲𝗿 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴’
oil and mixed media on organza
120x100cm, 2025

#amyhuili

Artist Spotlight: Amy Hui Li (@_amyhl)

Amy Hui Li (b. 1997, Guangzhou, China) is an artist based in London, UK. She completed her MA in Painting at the Royal College of Art in 2023, following a BA in Fine Art from Goldsmiths, University of London in 2020. Amy’s practice explores the body and emotions through an abstract visual language, using mixed media, oil, and felt on organza to challenge the traditional boundaries of painting. Recent exhibitions include ‘paradise lost,’ Unit, London, UK (Solo); ‘A Trace Without A Tail,’ LINSEED, Shanghai, China; and ‘Theater of Energies,’ Arsenal Contemporary, New York, US.

—

Image 1:
Amy Hui Li, Studio Image, 2025

Image 2:
Detail of a lifetime of light, 2025

Image 3:
Amy Hui Li
a lifetime of light, 2025
Oil and mixed media on organza
127 x 107 cm

Image 4:
Detail of i remember everything, 2025

Image 5:
Amy Hui Li
i remember everything, 2025
Oil and mixed media on organza
120 x 100 cm

—

Amy’s work was featured in our group exhibition 𝑻𝒉𝒆 𝑻𝒐𝒓𝒓𝒆𝒏𝒕 & 𝑻𝒉𝒆 𝑭𝒐𝒍𝒅, co-curated by Wenhui Hao (@wenhuiiihao) and Louis Blanc-Francard.

For all enquiries please email contact@lbfcontemporary.com

—

#LBFContemporary #AmyHuiLi

Artist Spotlight: Amy Hui Li (@_amyhl)

Amy Hui Li (b. 1997, Guangzhou, China) is an artist based in London, UK. She completed her MA in Painting at the Royal College of Art in 2023, following a BA in Fine Art from Goldsmiths, University of London in 2020. Amy’s practice explores the body and emotions through an abstract visual language, using mixed media, oil, and felt on organza to challenge the traditional boundaries of painting. Recent exhibitions include ‘paradise lost,’ Unit, London, UK (Solo); ‘A Trace Without A Tail,’ LINSEED, Shanghai, China; and ‘Theater of Energies,’ Arsenal Contemporary, New York, US.

—

Image 1:
Amy Hui Li, Studio Image, 2025

Image 2:
Detail of a lifetime of light, 2025

Image 3:
Amy Hui Li
a lifetime of light, 2025
Oil and mixed media on organza
127 x 107 cm

Image 4:
Detail of i remember everything, 2025

Image 5:
Amy Hui Li
i remember everything, 2025
Oil and mixed media on organza
120 x 100 cm

—

Amy’s work was featured in our group exhibition 𝑻𝒉𝒆 𝑻𝒐𝒓𝒓𝒆𝒏𝒕 & 𝑻𝒉𝒆 𝑭𝒐𝒍𝒅, co-curated by Wenhui Hao (@wenhuiiihao) and Louis Blanc-Francard.

For all enquiries please email contact@lbfcontemporary.com

—

#LBFContemporary #AmyHuiLi

Artist Spotlight: Amy Hui Li (@_amyhl)

Amy Hui Li (b. 1997, Guangzhou, China) is an artist based in London, UK. She completed her MA in Painting at the Royal College of Art in 2023, following a BA in Fine Art from Goldsmiths, University of London in 2020. Amy’s practice explores the body and emotions through an abstract visual language, using mixed media, oil, and felt on organza to challenge the traditional boundaries of painting. Recent exhibitions include ‘paradise lost,’ Unit, London, UK (Solo); ‘A Trace Without A Tail,’ LINSEED, Shanghai, China; and ‘Theater of Energies,’ Arsenal Contemporary, New York, US.

—

Image 1:
Amy Hui Li, Studio Image, 2025

Image 2:
Detail of a lifetime of light, 2025

Image 3:
Amy Hui Li
a lifetime of light, 2025
Oil and mixed media on organza
127 x 107 cm

Image 4:
Detail of i remember everything, 2025

Image 5:
Amy Hui Li
i remember everything, 2025
Oil and mixed media on organza
120 x 100 cm

—

Amy’s work was featured in our group exhibition 𝑻𝒉𝒆 𝑻𝒐𝒓𝒓𝒆𝒏𝒕 & 𝑻𝒉𝒆 𝑭𝒐𝒍𝒅, co-curated by Wenhui Hao (@wenhuiiihao) and Louis Blanc-Francard.

For all enquiries please email contact@lbfcontemporary.com

—

#LBFContemporary #AmyHuiLi

Artist Spotlight: Amy Hui Li (@_amyhl)

Amy Hui Li (b. 1997, Guangzhou, China) is an artist based in London, UK. She completed her MA in Painting at the Royal College of Art in 2023, following a BA in Fine Art from Goldsmiths, University of London in 2020. Amy’s practice explores the body and emotions through an abstract visual language, using mixed media, oil, and felt on organza to challenge the traditional boundaries of painting. Recent exhibitions include ‘paradise lost,’ Unit, London, UK (Solo); ‘A Trace Without A Tail,’ LINSEED, Shanghai, China; and ‘Theater of Energies,’ Arsenal Contemporary, New York, US.

—

Image 1:
Amy Hui Li, Studio Image, 2025

Image 2:
Detail of a lifetime of light, 2025

Image 3:
Amy Hui Li
a lifetime of light, 2025
Oil and mixed media on organza
127 x 107 cm

Image 4:
Detail of i remember everything, 2025

Image 5:
Amy Hui Li
i remember everything, 2025
Oil and mixed media on organza
120 x 100 cm

—

Amy’s work was featured in our group exhibition 𝑻𝒉𝒆 𝑻𝒐𝒓𝒓𝒆𝒏𝒕 & 𝑻𝒉𝒆 𝑭𝒐𝒍𝒅, co-curated by Wenhui Hao (@wenhuiiihao) and Louis Blanc-Francard.

For all enquiries please email contact@lbfcontemporary.com

—

#LBFContemporary #AmyHuiLi

Artist Spotlight: Amy Hui Li (@_amyhl)

Amy Hui Li (b. 1997, Guangzhou, China) is an artist based in London, UK. She completed her MA in Painting at the Royal College of Art in 2023, following a BA in Fine Art from Goldsmiths, University of London in 2020. Amy’s practice explores the body and emotions through an abstract visual language, using mixed media, oil, and felt on organza to challenge the traditional boundaries of painting. Recent exhibitions include ‘paradise lost,’ Unit, London, UK (Solo); ‘A Trace Without A Tail,’ LINSEED, Shanghai, China; and ‘Theater of Energies,’ Arsenal Contemporary, New York, US.

—

Image 1:
Amy Hui Li, Studio Image, 2025

Image 2:
Detail of a lifetime of light, 2025

Image 3:
Amy Hui Li
a lifetime of light, 2025
Oil and mixed media on organza
127 x 107 cm

Image 4:
Detail of i remember everything, 2025

Image 5:
Amy Hui Li
i remember everything, 2025
Oil and mixed media on organza
120 x 100 cm

—

Amy’s work was featured in our group exhibition 𝑻𝒉𝒆 𝑻𝒐𝒓𝒓𝒆𝒏𝒕 & 𝑻𝒉𝒆 𝑭𝒐𝒍𝒅, co-curated by Wenhui Hao (@wenhuiiihao) and Louis Blanc-Francard.

For all enquiries please email contact@lbfcontemporary.com

—

#LBFContemporary #AmyHuiLi

03/08/2025

‘what is else not to be overcome?’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

03/08/2025

‘what is else not to be overcome?’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

03/08/2025

‘what is else not to be overcome?’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

03/08/2025

‘what is else not to be overcome?’
acrylic and mixed media on organza
70x45cm, 2025

#amyhuili

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

i hope to see through myself like i can see through my paintings, straight to the core.

‘𝗮 𝗹𝗶𝗳𝗲𝘁𝗶𝗺𝗲 𝗼𝗳 𝗮𝗶𝗿’
oil and mixed media on organza
127x107cm/50 x 42 in, 2025

currently on view at @lbfcontemporary
‘the torrent & the fold’, group exhibition until 31 july 2025, london.

p9:
Xinran Liu (@x_ranliu)
‘will you do it, will you?’
oil and color pencil on canvas
130x160cm/51 x 63 in, 2025

‘𝘁𝗵𝗲 𝘀𝗲𝗮𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗮𝗿𝘁𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀’
oil and mixed media on organza
50x60cm 2025

i’m thrilled to show two of my new works with @lbfcontemporary this summer of 2025. group exhibition: ‘The Torrent & The Fold’, on view from 4 - 31 july. co-curated by Louis Blanc-Francard and @wenhuiiihao.

private view: thursday 3 july, 6-8pm. all welcome! 🌊🫧
13 Tottenham Mews, London W1T 4AQ

grateful to be showing with all talented souls:
Dingyue Luna Fan
Freya Fang Wang
Jess Xiaoyi Han
Ji Won Cha
Kristy Chan
Lau Yee Vanessa Fong
Seohyun Oh
Shuang Jiang
Wenhai Ning
Wenhui Hao
Xi Liu
Xinran Liu
Xuanru Wang

#lbfcontemporary #amyhuili

‘𝘁𝗵𝗲 𝘀𝗲𝗮𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗮𝗿𝘁𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀’
oil and mixed media on organza
50x60cm 2025

i’m thrilled to show two of my new works with @lbfcontemporary this summer of 2025. group exhibition: ‘The Torrent & The Fold’, on view from 4 - 31 july. co-curated by Louis Blanc-Francard and @wenhuiiihao.

private view: thursday 3 july, 6-8pm. all welcome! 🌊🫧
13 Tottenham Mews, London W1T 4AQ

grateful to be showing with all talented souls:
Dingyue Luna Fan
Freya Fang Wang
Jess Xiaoyi Han
Ji Won Cha
Kristy Chan
Lau Yee Vanessa Fong
Seohyun Oh
Shuang Jiang
Wenhai Ning
Wenhui Hao
Xi Liu
Xinran Liu
Xuanru Wang

#lbfcontemporary #amyhuili

‘𝘁𝗵𝗲 𝘀𝗲𝗮𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗮𝗿𝘁𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀’
oil and mixed media on organza
50x60cm 2025

i’m thrilled to show two of my new works with @lbfcontemporary this summer of 2025. group exhibition: ‘The Torrent & The Fold’, on view from 4 - 31 july. co-curated by Louis Blanc-Francard and @wenhuiiihao.

private view: thursday 3 july, 6-8pm. all welcome! 🌊🫧
13 Tottenham Mews, London W1T 4AQ

grateful to be showing with all talented souls:
Dingyue Luna Fan
Freya Fang Wang
Jess Xiaoyi Han
Ji Won Cha
Kristy Chan
Lau Yee Vanessa Fong
Seohyun Oh
Shuang Jiang
Wenhai Ning
Wenhui Hao
Xi Liu
Xinran Liu
Xuanru Wang

#lbfcontemporary #amyhuili

‘𝘁𝗵𝗲 𝘀𝗲𝗮𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗮𝗿𝘁𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀’
oil and mixed media on organza
50x60cm 2025

i’m thrilled to show two of my new works with @lbfcontemporary this summer of 2025. group exhibition: ‘The Torrent & The Fold’, on view from 4 - 31 july. co-curated by Louis Blanc-Francard and @wenhuiiihao.

private view: thursday 3 july, 6-8pm. all welcome! 🌊🫧
13 Tottenham Mews, London W1T 4AQ

grateful to be showing with all talented souls:
Dingyue Luna Fan
Freya Fang Wang
Jess Xiaoyi Han
Ji Won Cha
Kristy Chan
Lau Yee Vanessa Fong
Seohyun Oh
Shuang Jiang
Wenhai Ning
Wenhui Hao
Xi Liu
Xinran Liu
Xuanru Wang

#lbfcontemporary #amyhuili

‘𝘁𝗵𝗲 𝘀𝗲𝗮𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗮𝗿𝘁𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀’
oil and mixed media on organza
50x60cm 2025

i’m thrilled to show two of my new works with @lbfcontemporary this summer of 2025. group exhibition: ‘The Torrent & The Fold’, on view from 4 - 31 july. co-curated by Louis Blanc-Francard and @wenhuiiihao.

private view: thursday 3 july, 6-8pm. all welcome! 🌊🫧
13 Tottenham Mews, London W1T 4AQ

grateful to be showing with all talented souls:
Dingyue Luna Fan
Freya Fang Wang
Jess Xiaoyi Han
Ji Won Cha
Kristy Chan
Lau Yee Vanessa Fong
Seohyun Oh
Shuang Jiang
Wenhai Ning
Wenhui Hao
Xi Liu
Xinran Liu
Xuanru Wang

#lbfcontemporary #amyhuili