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‘In my twenties and thirties it was very painful that my career wasn’t taking off in the way that I wanted it to. I’m extremely grateful for the work I’ve done, but when you’re that age it’s hard to see other people getting work that you’d like to be getting. I thought about giving up a bunch of times. But it has always driven me to keep getting as good as I can get as an actor so that when my opportunities came I wouldn’t f*** them up. And in terms of press attention and stuff, people are much less interested in a 45-year-old married man going to have a coffee or doing a jigsaw, rather than a 25-year-old man getting f***ed up.”

Ahead of the much-anticipated second season of Rivals, in today’s issue of Style, leading man Alex Hassell bares all about playing Rupert Campbell-Black. At the link in bio, he talks to @ScarlettroseRussell about everything from overnight success to (of course) sex scenes.

Alex wears @burberry and @johnsmedleyknitwear.

The item every man should have in his wardrobe? Rivals star Alex Hassell doesn’t want to be prescriptive, but let’s just say his answer leads to a story about a time he was travelling around Asia without enough pants… Rupert Campbell-Black on underwear? You’re welcome. Head to the link in bio to watch the full video on Sunday.

“I was talking to a casting director in LA the other day and she said she’d watched it six times. And George Clooney apparently rang Hulu [the series’ American streamer] to say they had to make a second season. I think people watch it over and over because they love being in the world with the characters, and that’s the force of Jilly’s writing.”

As Rupert Campbell-Black in the smash hit Rivals, Alex Hassell has found himself an overnight star. So what’s it like to be on the most-loved show of the moment? “It’s genuinely one of the best experiences I’ve had,” he tells @scarlettroserussell this Sunday.

Plus: the singer Rose Gray, the psychotherapist Philippa Perry - and are we all ready for the return of skinny brows? (Answer: possibly not…)

@alexanderhassell

Editor: @stylelaura
Photographer: @jamesanastasiphoto
Stylist: @tonycooky
Grooming: @nadiaaltinbas
Local Production: @townprod
Entertainment Director and words: @scarlettroserussell
Bookings and Creative: @ellarcutt

This afternoon, Sandra Hüller turned up the sartorial volume at Cannes wearing a textured monochrome look from @chanelofficial. The German actress, who is no stranger to the festival having starred in the 2023 Palm d’Or winning film, Anatomy of a Fall, was joined on the carpet by costar August Diehl as well as jury members Demi Moore, Ruth Negga and Chloé Zhao.

Images: Getty

This afternoon, Sandra Hüller turned up the sartorial volume at Cannes wearing a textured monochrome look from @chanelofficial. The German actress, who is no stranger to the festival having starred in the 2023 Palm d’Or winning film, Anatomy of a Fall, was joined on the carpet by costar August Diehl as well as jury members Demi Moore, Ruth Negga and Chloé Zhao.

Images: Getty

This afternoon, Sandra Hüller turned up the sartorial volume at Cannes wearing a textured monochrome look from @chanelofficial. The German actress, who is no stranger to the festival having starred in the 2023 Palm d’Or winning film, Anatomy of a Fall, was joined on the carpet by costar August Diehl as well as jury members Demi Moore, Ruth Negga and Chloé Zhao.

Images: Getty

This afternoon, Sandra Hüller turned up the sartorial volume at Cannes wearing a textured monochrome look from @chanelofficial. The German actress, who is no stranger to the festival having starred in the 2023 Palm d’Or winning film, Anatomy of a Fall, was joined on the carpet by costar August Diehl as well as jury members Demi Moore, Ruth Negga and Chloé Zhao.

Images: Getty

This afternoon, Sandra Hüller turned up the sartorial volume at Cannes wearing a textured monochrome look from @chanelofficial. The German actress, who is no stranger to the festival having starred in the 2023 Palm d’Or winning film, Anatomy of a Fall, was joined on the carpet by costar August Diehl as well as jury members Demi Moore, Ruth Negga and Chloé Zhao.

Images: Getty

“Phoebe [Philo] is a dear friend. I find that I live in many of her clothes. The cut and the simplicity of what she does really appeal to me.”

Looking for some weekend reading? The River Cafe’s @ruthierogers has a new book out today named after Table 4 (one of the best seats in her famous restaurant) - the perfect excuse to revisit Style’s interview with the chef where she talked through her chic wardrobe with our fashion director @karendacre. Head to the link in bio now to read the piece in full.

Photography by Kasia Bobula

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

From Al Pacino to Greta Lee, Hollywood old and new came together last night in Los Angeles to enjoy Jonathan Anderson’s latest @dior catwalk show.

Film is an increasingly important part of Anderson’s career; see his creative partnership with the director Luca Guadagnino on Challengers and Queer. At Dior there is a similar longstanding relationship with the movies, from Christian Dior’s 1955 Oscar nomination for his designs for Terminal Station to Marlene Dietrich’s famous ‘No Dior, no Dietrich!’ ultimatum regarding her wardrobe for the Hitchcock film, Stage Fright. ‘Christian Dior dressed all of Hollywood,’ Anderson told Style in a preview earlier in the day, and the designer leaned into that legacy in this, his first cruise show, where models wove their way round the ‘back lot’ of the Los Angeles County Museum of Art like extras on set.

Standout looks included the opening buttercup yellow dress, shredded bar jackets and bespoke Philip Treacy headpieces spelling out ‘Dior’ in a nod to Treacy’s famous ‘Blow’ hat worn by fashion director Isabella Blow. The pop artist Ed Ruscha designed the shirts: a dream come true for Anderson, who had wanted to work with the 88-year-old icon for some time. Ideas were varied and playful; a red dress was added near the end as ‘Dior always had one in his shows to wake people up,’ said Anderson. Classic Americana was delivered via a new Saddle Bag with car paint surfaces and retro motor key charms.

Guests including Miley Cyrus and Sabrina Carpenter applauded as Air’s Kelly Watch The Stars rang out for the finale, before heading to- where else?- the Chateau Marmont, for In-N-Out burgers and Champagne. Dior does Hollywood, 2026-style.

Video: Style’s own
Images: Getty

Wondering how to make amends with a rival? Who better to ask than the Rivals cast themselves? Style caught up with them at the premiere for the Disney+ show’s second season at BFI Southbank this evening and heard their advice first-hand. Kill them with kindness or fight fight fight? Your call.

Looking for the next series to binge? Be it off-beat comedy horror Widow’s Bay, a Cape Fear remake that’s bound to have you hooked, or the buzzed-about romantic drama Off Campus -which starts today - Style’s Entertainment Director @scarlettroserussell breaks down the best telly to tune into this month. See you on the sofa.

Thought wearing one pattern was enough? May we introduce pattern-maxxing, aka the style set’s new favourite hack. The formula is simple: just add two or more patterns into the one look with bonus points for clashing your colours too. Look to Dries Van Noten’s recent show - think abstract graphic jackets paired with floral trousers - while Meryl Rogers’ debut at Marni played heavily into the trend. Thoughts?

Images: Getty

Thought wearing one pattern was enough? May we introduce pattern-maxxing, aka the style set’s new favourite hack. The formula is simple: just add two or more patterns into the one look with bonus points for clashing your colours too. Look to Dries Van Noten’s recent show - think abstract graphic jackets paired with floral trousers - while Meryl Rogers’ debut at Marni played heavily into the trend. Thoughts?

Images: Getty

Thought wearing one pattern was enough? May we introduce pattern-maxxing, aka the style set’s new favourite hack. The formula is simple: just add two or more patterns into the one look with bonus points for clashing your colours too. Look to Dries Van Noten’s recent show - think abstract graphic jackets paired with floral trousers - while Meryl Rogers’ debut at Marni played heavily into the trend. Thoughts?

Images: Getty

An inflatable chair? Yes please. Originally launched in 1995 to make cutting-edge design democratic to all, IKEA’s PS collection is always highly covetable - and the new range, out in UK stores tomorrow, is no different. @Katrina_Burroughs went to IKEA’s HQ in Älmhult, Sweden, for a sneak peak and to pick out her favourite pieces. Head to the link in bio now to read the piece in full - and add your thoughts below.

With warmer weather on the way, it’s time to get your glow on. Style’s Beauty Writer @ChanelleHo knows where to find the best bronzers and - crucially - how to use them. Watch our video in full now.

Look who we spotted kicking things off at the Cannes Film Festival! It’s jury member Demi Moore, dazzling in a polka-dot embellished @jacquemus dress, complete with a matching shoulder bag. Our verdict: she’s spot on.

Image: Getty