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OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

OUT NOW! ✨ We’re thrilled to announce HARDTACK by @rahimfortune, a major new monograph uplifting the long-enduring nature of Black culture and traditions in the American South.

Fortune’s dignifying portraits and atmospheric landscapes draw from performative traditions, celebrations and sites of cultural heritage, implying the deep ties that bind modern Black communities to the landscape in the face of adversity and resilience.

This roughly-textured clothbound hardcover is one of our most beautifully-printed tritone books to date, and includes an edit by @sarahpespenon and striking essay by historian and scholar @imaniperry.

Discover HARDTACK online now with a gorgeous accompanying Special Edition, and the chance to save 50% off Fortune’s debut monograph! Head to loosejoints.biz for more. #rahimfortune #loosejoints

Winter 24 by @matthieu_blazy

Director: Rahim Fortune

Stills: Alec Soth @littlebrownmushroom



#BottegaVeneta



DP @derandl3

1st AC @anth_gmz

G&E @sebastien.nuta

Casting: @bitton

Hair: @duffy_duffy

Make up: @patmcgrathreal

Production: Untitled Project

Music: @le.motel

Editor: @wearesaintgeorge

Thank you so much to the Bottega creative team, my camera and lighting crew and production team who made this such a fun and memorable shoot! A massive thank you to my incredible agent Yael and the @artandcommerce family 👽🖤

In a new photo essay, Rahim Fortune responds to the legacy of Black photographers who documented Texas throughout the twentieth century.

From the summer of 2024 through the winter of 2025, Fortune (@rahimfortune) made “Between a Memory and Me,” a series of photographs depicting various community events and gatherings across Texas. The series was commissioned by Documentary Arts, the Dallas-based nonprofit and copublisher with Aperture of the book “Kinship & Community” (2026), which draws from the Texas African American Photography Archive to celebrate the rich history of photography made by and for Black communities in Texas. Fortune’s vivid new images take up the archive’s legacy and place it firmly in the present tense. “I am thinking about how memory functions concerning image and sound,” he says, “and how it may be all we have to hold on to in the face of loss.”

Now online from “Kinship & Community,” see our link in bio to read a conversation between Alan Governar and Fortune about family heartbreak, blues music, and the meaning of truth in photography.

Plus, join Aperture and @mfahouston on May 28 for a conversation with Governar and Fortune, moderated by Lisa Volpe.

All images by Rahim Fortune from the series “Between a Memory and Me,” 2024–25, commissioned by Documentary Arts for @aperturefnd. Courtesy the artist

In a new photo essay, Rahim Fortune responds to the legacy of Black photographers who documented Texas throughout the twentieth century.

From the summer of 2024 through the winter of 2025, Fortune (@rahimfortune) made “Between a Memory and Me,” a series of photographs depicting various community events and gatherings across Texas. The series was commissioned by Documentary Arts, the Dallas-based nonprofit and copublisher with Aperture of the book “Kinship & Community” (2026), which draws from the Texas African American Photography Archive to celebrate the rich history of photography made by and for Black communities in Texas. Fortune’s vivid new images take up the archive’s legacy and place it firmly in the present tense. “I am thinking about how memory functions concerning image and sound,” he says, “and how it may be all we have to hold on to in the face of loss.”

Now online from “Kinship & Community,” see our link in bio to read a conversation between Alan Governar and Fortune about family heartbreak, blues music, and the meaning of truth in photography.

Plus, join Aperture and @mfahouston on May 28 for a conversation with Governar and Fortune, moderated by Lisa Volpe.

All images by Rahim Fortune from the series “Between a Memory and Me,” 2024–25, commissioned by Documentary Arts for @aperturefnd. Courtesy the artist

In a new photo essay, Rahim Fortune responds to the legacy of Black photographers who documented Texas throughout the twentieth century.

From the summer of 2024 through the winter of 2025, Fortune (@rahimfortune) made “Between a Memory and Me,” a series of photographs depicting various community events and gatherings across Texas. The series was commissioned by Documentary Arts, the Dallas-based nonprofit and copublisher with Aperture of the book “Kinship & Community” (2026), which draws from the Texas African American Photography Archive to celebrate the rich history of photography made by and for Black communities in Texas. Fortune’s vivid new images take up the archive’s legacy and place it firmly in the present tense. “I am thinking about how memory functions concerning image and sound,” he says, “and how it may be all we have to hold on to in the face of loss.”

Now online from “Kinship & Community,” see our link in bio to read a conversation between Alan Governar and Fortune about family heartbreak, blues music, and the meaning of truth in photography.

Plus, join Aperture and @mfahouston on May 28 for a conversation with Governar and Fortune, moderated by Lisa Volpe.

All images by Rahim Fortune from the series “Between a Memory and Me,” 2024–25, commissioned by Documentary Arts for @aperturefnd. Courtesy the artist

In a new photo essay, Rahim Fortune responds to the legacy of Black photographers who documented Texas throughout the twentieth century.

From the summer of 2024 through the winter of 2025, Fortune (@rahimfortune) made “Between a Memory and Me,” a series of photographs depicting various community events and gatherings across Texas. The series was commissioned by Documentary Arts, the Dallas-based nonprofit and copublisher with Aperture of the book “Kinship & Community” (2026), which draws from the Texas African American Photography Archive to celebrate the rich history of photography made by and for Black communities in Texas. Fortune’s vivid new images take up the archive’s legacy and place it firmly in the present tense. “I am thinking about how memory functions concerning image and sound,” he says, “and how it may be all we have to hold on to in the face of loss.”

Now online from “Kinship & Community,” see our link in bio to read a conversation between Alan Governar and Fortune about family heartbreak, blues music, and the meaning of truth in photography.

Plus, join Aperture and @mfahouston on May 28 for a conversation with Governar and Fortune, moderated by Lisa Volpe.

All images by Rahim Fortune from the series “Between a Memory and Me,” 2024–25, commissioned by Documentary Arts for @aperturefnd. Courtesy the artist

In a new photo essay, Rahim Fortune responds to the legacy of Black photographers who documented Texas throughout the twentieth century.

From the summer of 2024 through the winter of 2025, Fortune (@rahimfortune) made “Between a Memory and Me,” a series of photographs depicting various community events and gatherings across Texas. The series was commissioned by Documentary Arts, the Dallas-based nonprofit and copublisher with Aperture of the book “Kinship & Community” (2026), which draws from the Texas African American Photography Archive to celebrate the rich history of photography made by and for Black communities in Texas. Fortune’s vivid new images take up the archive’s legacy and place it firmly in the present tense. “I am thinking about how memory functions concerning image and sound,” he says, “and how it may be all we have to hold on to in the face of loss.”

Now online from “Kinship & Community,” see our link in bio to read a conversation between Alan Governar and Fortune about family heartbreak, blues music, and the meaning of truth in photography.

Plus, join Aperture and @mfahouston on May 28 for a conversation with Governar and Fortune, moderated by Lisa Volpe.

All images by Rahim Fortune from the series “Between a Memory and Me,” 2024–25, commissioned by Documentary Arts for @aperturefnd. Courtesy the artist

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Monday, April 6, 2026, 7:00PM (EDT)

Black Frontiers: Rahim Fortune and Nicole R. Fleetwood in Conversation
The Auditorium at Alvin Johnson/J.M. Kaplan Hall

66 West 12th Street
NYC

Please join Aperture and the Photography Program at Parsons School of Design at The New School for a special conversation between artist Rahim Fortune and curator Nicole R. Fleetwood. The two will discuss Kinship & Community: Selections from the Texas African American Photography Archive (Aperture and Documentary Arts, 2026) and Fortune’s vivid new photographic essay that takes up the archive’s legacy and places it firmly in the present tense.

1.Kinship & Community published by @aperturefnd 2026

2.A. B. Bell
Print shop, Dallas, Texas, ca. 1972

3.Untitled, Dallas, Texas, 2025

4.A. B. Bell
Beauty pageant swimsuit competition, Dallas, Texas, ca. 1960s

5.Miss Juneteenth Pageant, Texas City 2024

6.Benny Joseph
Sam “Lightnin’” Hopkins, Houston, Texas, 1972

7.Church Musician, Bryan, Texas, 2024

8.Hiram Dotson
United Scottish Rite Grand Lodge AM & FM Grand Master C.R. Whittaker (left),
Houston, Texas, ca. 1960s

9.Highland Heights Prince Hall Affiliated
Houston Texas, 2024

10.Unknown photographer
Mr. Thomas Jones and Old Jack, Huntsville, Texas, ca. 1905-10

11.MLK day parade (Mike)
Dallas, Texas 2025

Repost from @voguefrance
•
“@ChaseInfiniti is the cover star of our « Youth » April issue. She captivated audiences with her breakout role in One Battle After Another, the Oscar winning film directed by Paul Thomas Anderson. Photographed for Vogue in London by @RahimFortune, himself a rising force, this series reflects on youth, seen through the lens of two young creatives already shaping the future.” — @ClaireThomsonJonville

On newsstands and online on March 26.

“Chase Infiniti est la cover star de notre numéro “Jeunesse” d’avril. Elle a conquis nos écrans avec son rôle révélation dans “Une bataille après l’autre”, grand lauréat des Oscars 2026, réalisé par Paul Thomas Anderson. Photographiée pour Vogue à Londres par Rahim Fortune, lui aussi promesse d’une belle carrière. Cette série est une réflexion sur la jeunesse, vue à travers le regard de deux jeunes talents qui façonnent l’avenir.” - Claire Thomson Jonville.

En kiosque et en ligne le 26 mars prochain.

Chase Infiniti porte une robe longue @LouisVuitton et un collier personnalisé Chase en or jaune @ApsleyandHeron.

Photographer : @rahimfortune
Fashion: @clairethomsonjonville
Talent: @chaseinfiniti
Hair Stylist: @cyndiaharvey
Make-up: @lauren.parsons
Nail Manicure: @angelsnailz
Global Entertainment Director: @cbroday

Repost from @voguefrance
•
“@ChaseInfiniti is the cover star of our « Youth » April issue. She captivated audiences with her breakout role in One Battle After Another, the Oscar winning film directed by Paul Thomas Anderson. Photographed for Vogue in London by @RahimFortune, himself a rising force, this series reflects on youth, seen through the lens of two young creatives already shaping the future.” — @ClaireThomsonJonville

On newsstands and online on March 26.

“Chase Infiniti est la cover star de notre numéro “Jeunesse” d’avril. Elle a conquis nos écrans avec son rôle révélation dans “Une bataille après l’autre”, grand lauréat des Oscars 2026, réalisé par Paul Thomas Anderson. Photographiée pour Vogue à Londres par Rahim Fortune, lui aussi promesse d’une belle carrière. Cette série est une réflexion sur la jeunesse, vue à travers le regard de deux jeunes talents qui façonnent l’avenir.” - Claire Thomson Jonville.

En kiosque et en ligne le 26 mars prochain.

Chase Infiniti porte une robe longue @LouisVuitton et un collier personnalisé Chase en or jaune @ApsleyandHeron.

Photographer : @rahimfortune
Fashion: @clairethomsonjonville
Talent: @chaseinfiniti
Hair Stylist: @cyndiaharvey
Make-up: @lauren.parsons
Nail Manicure: @angelsnailz
Global Entertainment Director: @cbroday

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

Check out the latest story by Jasmine Hardy featuring some of my photographs on Black Heritage Tree sites in Texas for @atmos
Story is live now 🪾

I recently spoke with @preciousadesina about my unreleased photographs of the North Eastern and MidWestern United States for @officialbyredo

Thank you @preciousadesina for your thoughtful questions, and to@blackandwhiteonwhite / @phtsdr for their processing and care.

On News stands now!

I recently spoke with @preciousadesina about my unreleased photographs of the North Eastern and MidWestern United States for @officialbyredo

Thank you @preciousadesina for your thoughtful questions, and to@blackandwhiteonwhite / @phtsdr for their processing and care.

On News stands now!

I recently spoke with @preciousadesina about my unreleased photographs of the North Eastern and MidWestern United States for @officialbyredo

Thank you @preciousadesina for your thoughtful questions, and to@blackandwhiteonwhite / @phtsdr for their processing and care.

On News stands now!

I recently spoke with @preciousadesina about my unreleased photographs of the North Eastern and MidWestern United States for @officialbyredo

Thank you @preciousadesina for your thoughtful questions, and to@blackandwhiteonwhite / @phtsdr for their processing and care.

On News stands now!

I recently spoke with @preciousadesina about my unreleased photographs of the North Eastern and MidWestern United States for @officialbyredo

Thank you @preciousadesina for your thoughtful questions, and to@blackandwhiteonwhite / @phtsdr for their processing and care.

On News stands now!

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

I recently interviewed @dannylyonphotos2 for @truephotojournal about his filmmaking practice ahead of his @howardgreenberggallery exhibition.

“This issue’s cover features artwork from Danny
Lyon’s film ‘The Immigrant’ (1974).
In an exclusive feature for True, Danny talks with Rahim Fortune about his shift from photography to film-making, and how the themes first expressed in his work over half a century ago are still as relevant and urgent in today’s political climate.”

learn more about Danny’s work through his blog bleakbeauty.com, Metrograph will be hosting a screening of Danny’s films over the next two days.

THE TEXAS PRISON PHOTOGRAPHS

DANNY LYON
DECEMBER 5 - JANUARY 31, 2026

@howardgreenberggallery

How can we make “land back” a reality?⁠
⁠
Turning land over to Indigenous stewardship can be good for people and planet alike—so long as Indigenous stewards are properly funded and supported. For Atmos Volume 12: Pollinate, Indigenous rights and climate policy expert @jadethemighty explores the true cost of land back, and photographer @rahimfortune visually traces the history of the Oglala Lakota Tribe across Badlands National Park, exploring how resilience continues to shape the story of the land.⁠
⁠
Order your copy of our latest issue today. Link in bio.⁠
⁠
Atmos Volume 12: Pollinate⁠
Cofounder / Editor-in-Chief @willowonearth⁠
Cofounder / Chief Creative Officer @jakesarge⁠
Executive Director @the.resaperez⁠
Editorial Operations Director @karen.pk.gray⁠
Art Director @tessaforrest⁠
Creative Producer @anameizing⁠
Print Design by @actualsource.work⁠
Print Editor @unwrinkling⁠
Associate Editor @jasminexhardy⁠
Copy Editor Karly Alderfer⁠
Research Editor Matt Mahoney⁠

How can we make “land back” a reality?⁠
⁠
Turning land over to Indigenous stewardship can be good for people and planet alike—so long as Indigenous stewards are properly funded and supported. For Atmos Volume 12: Pollinate, Indigenous rights and climate policy expert @jadethemighty explores the true cost of land back, and photographer @rahimfortune visually traces the history of the Oglala Lakota Tribe across Badlands National Park, exploring how resilience continues to shape the story of the land.⁠
⁠
Order your copy of our latest issue today. Link in bio.⁠
⁠
Atmos Volume 12: Pollinate⁠
Cofounder / Editor-in-Chief @willowonearth⁠
Cofounder / Chief Creative Officer @jakesarge⁠
Executive Director @the.resaperez⁠
Editorial Operations Director @karen.pk.gray⁠
Art Director @tessaforrest⁠
Creative Producer @anameizing⁠
Print Design by @actualsource.work⁠
Print Editor @unwrinkling⁠
Associate Editor @jasminexhardy⁠
Copy Editor Karly Alderfer⁠
Research Editor Matt Mahoney⁠

How can we make “land back” a reality?⁠
⁠
Turning land over to Indigenous stewardship can be good for people and planet alike—so long as Indigenous stewards are properly funded and supported. For Atmos Volume 12: Pollinate, Indigenous rights and climate policy expert @jadethemighty explores the true cost of land back, and photographer @rahimfortune visually traces the history of the Oglala Lakota Tribe across Badlands National Park, exploring how resilience continues to shape the story of the land.⁠
⁠
Order your copy of our latest issue today. Link in bio.⁠
⁠
Atmos Volume 12: Pollinate⁠
Cofounder / Editor-in-Chief @willowonearth⁠
Cofounder / Chief Creative Officer @jakesarge⁠
Executive Director @the.resaperez⁠
Editorial Operations Director @karen.pk.gray⁠
Art Director @tessaforrest⁠
Creative Producer @anameizing⁠
Print Design by @actualsource.work⁠
Print Editor @unwrinkling⁠
Associate Editor @jasminexhardy⁠
Copy Editor Karly Alderfer⁠
Research Editor Matt Mahoney⁠

How can we make “land back” a reality?⁠
⁠
Turning land over to Indigenous stewardship can be good for people and planet alike—so long as Indigenous stewards are properly funded and supported. For Atmos Volume 12: Pollinate, Indigenous rights and climate policy expert @jadethemighty explores the true cost of land back, and photographer @rahimfortune visually traces the history of the Oglala Lakota Tribe across Badlands National Park, exploring how resilience continues to shape the story of the land.⁠
⁠
Order your copy of our latest issue today. Link in bio.⁠
⁠
Atmos Volume 12: Pollinate⁠
Cofounder / Editor-in-Chief @willowonearth⁠
Cofounder / Chief Creative Officer @jakesarge⁠
Executive Director @the.resaperez⁠
Editorial Operations Director @karen.pk.gray⁠
Art Director @tessaforrest⁠
Creative Producer @anameizing⁠
Print Design by @actualsource.work⁠
Print Editor @unwrinkling⁠
Associate Editor @jasminexhardy⁠
Copy Editor Karly Alderfer⁠
Research Editor Matt Mahoney⁠

I will be participating in two public programs this weekend on the East Coast and would love to see you there!

@uniquephoto in Philadelphia
Sat, November 15 - 3:30 PM - 5:00 PM

@cpw_kingston in conversation with @nifleetwood
Sunday, November 16, 2025 3-5 PM

I will be participating in two public programs this weekend on the East Coast and would love to see you there!

@uniquephoto in Philadelphia
Sat, November 15 - 3:30 PM - 5:00 PM

@cpw_kingston in conversation with @nifleetwood
Sunday, November 16, 2025 3-5 PM

I will be participating in two public programs this weekend on the East Coast and would love to see you there!

@uniquephoto in Philadelphia
Sat, November 15 - 3:30 PM - 5:00 PM

@cpw_kingston in conversation with @nifleetwood
Sunday, November 16, 2025 3-5 PM

I will be participating in two public programs this weekend on the East Coast and would love to see you there!

@uniquephoto in Philadelphia
Sat, November 15 - 3:30 PM - 5:00 PM

@cpw_kingston in conversation with @nifleetwood
Sunday, November 16, 2025 3-5 PM

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio

Another Man, Volume II, Issue IV, Winter/Spring 2026. Photographer: Rahim Fortune.

@Another_Man @olaoluebiti

Styling: Ola Ebiti @olaoluebiti
Hair: Edward Lampley @edwardlampley
Make-up: Yuki Hayashi @yukihayashi89
Models: Max Vespa @maxvvespa
Keygon Baxter @keygonbaxter
Sabir Abdikadir @ssabirr_

Casting: Aymeric @aymericpn
Movement director: Jorge Dorsinville @jorgedorsinville
Digital Tech: Paul C Tucker
Photographic assistant: Storm Harper
Styling assistant: Michaela Snavely
Hair assistant: Fallon Seymour
Make-up assistant: Valerie Vitko
Production: Shay Johnson Studio @shayjohnsonstudio
Executive Producer: Shay Johnson
Producer: Corey Chenier
Production manager: Frankie Lombardo
Locations manager: Elissa Arthur
Production assistants: Rico Abdou Essa and Jasmine McGill
Post Production: Slick Studio @slick__studio